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Tune talk
This year's song and score nominees discuss the inspiration behind 2004's best film music.
Evening the score
African-Americans have made inroads into film music, but insiders say there is still plenty of work to be done.
Keeping score
Top composers discuss their upcoming soundtrack composing projects.
Track stars
In a contracting music market, the makers of motion picture soundtracks get back to their roots ... and learn to love DVD.
'Garden' statement
Heartfelt music rings true on an indie hit.
'Raging' redux
After more than two decades, the soundtrack to Martin Scorsese's influential masterwork finally hits shelves.
Gold rush
In a year packed with strong animation, independent and foreign-language candidates -- not to mention studio blockbusters -- Golden Globe hopefuls are prepared to use any advantage they can get. In the race for best score, that advantage seems to favor those with an international flavor.
Shoot, score
Composers John Keane and music supervisor Jason Alexander lay down the crucial music cues that thread through the "CSI." They help set the show's cool, slick and foreboding tone with a score that subtly has established itself as almost another character.
Bio rhythms
A new wave of musical biographies has arrived, sporting a new look and, more importantly, a new sound.
Dialogue: Vangelis
With characteristic simplicity, the enigmatic composer of "Alexander" insists that he does not labor endlessly over his music, preferring to write and record what "feels right."
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2005 Who's Who in Composing
