SummaryThe BFG tells the imaginative story of a young girl and the Giant who introduces her to the wonders and perils of Giant Country. The BFG (Mark Rylance), while a giant himself, is a Big Friendly Giant and nothing like the other inhabitants of Giant Country. Standing 24-feet tall with enormous ears and a keen sense of smell, he is endearin...
SummaryThe BFG tells the imaginative story of a young girl and the Giant who introduces her to the wonders and perils of Giant Country. The BFG (Mark Rylance), while a giant himself, is a Big Friendly Giant and nothing like the other inhabitants of Giant Country. Standing 24-feet tall with enormous ears and a keen sense of smell, he is endearin...
This ambitious blend of live action and computer animation runs the risk of being overwhelming and sterile, but it turns out to be a pleasing and sweet-natured adventure thanks in large part to Spielberg’s big, friendly secret weapon: Mark Rylance, as the BFG himself.
Wow, another gem perhaps too heartfelt and subtle in its pleasures for critics and audiences. I agree with the user reviewer suggesting this as the best movie if 2016 so far. What none of the critics here mention is this is a movie about honor, honoring the different in another, honoring your own ability to "stretch" beyond your previous comfort zone, honoring the new and unexpected in the world and in your self.
Now, if I pitched that to a studio, do you think the movie would be green-lit? Probably not. Still this I think are the highpoints of the film, entirely in keeping with what the critics did like about this.
Not a spiritual film in any sense, it still demonstrates many positive, uplifting values. that's why I give it a ten.
It's a techno miracle for sure, likely to win the oscar for SFX. However as Harvey Weinstein says, the best special effect is actors showing you human emotions in a way you can connect with. The two leads do this way beyond any other film this year so far.
I hear critics harping on plot points when teh real pleasures of this film are heartfelt human values, chief among them, valuing and honoring another being.
A very good film of Steven Spielberg, an excellent director who has given us great moments in film history. Mark Rylance and Ruby Barnhill are fantastic, great performance, good music of John Williams, and wonderful story.
Too eccentric to be a massive box-office hit yet too mainstream for a cult following; it nevertheless deserves to be seen. Mostly, it works as a singular and slightly wobbly mash-up of two creative artists and their differing sensibilities, and it benefits greatly from the contributions of one brilliant actor and one little girl. Maybe I’m squibbling, but I think it’s pretty delumptious.
Spielberg doesn't pull heart strings as much as push the right buttons, dutiful to an undercooked story. The BFG begins like a classic fairy tale and ends with helicopters and fart jokes, a tonal dissonance that is Dahl's fault, not the film's.
Giant expectations may lead to tiny disappointments in this two-hander that’s slow in parts. But it still offers magic and visual delights, and the final act is a treat.
Nobody could fault the detail of the art department’s work here, but there is an odd sluggishness to the imagery, as if the whole film is playing a half-measure behind. This proves troublesome for any of the larger-than-life action sequences, but even more so with the comic timing.
The BFG’s sluggish pacing will test even older viewers’ attention spans. The visuals are potent, but the story is never urgent. The crux of the movie, inspiring people to dream, is a noble, beautiful thing. But not when you put them to sleep in the process.
It's already not the end of 2016, yet this (in my opinion) is the best film everyone could see of this year. The story was actually clever, like I didn't even knew it was based on the book named the same thing, especially if it's coming from Steven Spielberg, a great director and filmmaker. The characters are all lovable (especially all the dumb giants you're randomly seeing), the visual effects feels stereoscopic, but that's not all. It's surely Disney, but it feels like it could be distributed by any film studio other than Disney. The best part about this is that it was released on my birthday. You could ****'s already not the end of 2016, yet this (in my opinion) is the best film everyone could see of this year. The story was actually clever, like I didn't even knew it was based on the book named the same thing, especially if it's coming from Steven Spielberg, a great director and filmmaker. The characters are all lovable (especially all the dumb giants you're randomly seeing), the visual effects feels stereoscopic, but that's not all. It's surely Disney, but it feels like it could be distributed by any film studio other than Disney. The best part about this is that it was released on my birthday. You could say... best birthday gift ever, right? Don't listen to those scrubs who think movies like Warcraft and Hardcore Henry could make the front page. This is instantly going to make to the front page. It's only recommended to those with no fear of giants, otherwise good luck with this film... best birthday gift ever, right? Don't listen to those scrubs who think movies like Warcraft and Hardcore Henry could make the front page. This is instantly going to make to the front page. It's only recommended to those with no fear of giants, otherwise good luck with this film.
This live-action adaptation of Roald Dahl's classic children's novel exists in a manner similar to that of the titular character at hand. It's sweet and wholesome, yet characteristically oddball and strange. And for the "BFG" film in particular, these more peculiar elements tend to come about in the latter half of things, where a very unpredictable narrative left turn ultimately leaves the audience uttering, ". . .huh?" The confusion, on the part of this audience member at least, lasts only a little while, however, with the film's charm and visual splendor eventually lulling you back into the typical Spielbergian state of genuine entertainment. It's not one of his better told stories -- namely due to the idiosyncratic stylings of Dahl doing him in, methinks -- but it still looks and feels good.
Spielberg fails to create anything of real magic here, but taken purely as a old-fashioned children's tale it is befitting and works nicely. Mark Rylance is impressive (as always).
Despite the visuals, the movie is very average. It really feels like a little kid's movie with high budget. I don't know the book, so there was no nostalgia involved. It's a shame cause the premise seem to be so interesting.
I understand that i am not yhe demographic for this but god this was painful to watch. Whilst a whimsical and fantastical world is created here it is filled with virtually no plot or key scenes and nothing ever really happens in it. The finale is a joke. Film is also filled with flatulance jokes and is just dull all the way through. The scene with the queen was awful to watch.
3/10