Creativity & Design for Beauty Brands | CEO at We Are Aktivists
Barcelona, Cataluña, España
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BEAUTY-FIRST think tank creativo.
Somos una agencia creativa independiente y galardonada, especializada en belleza. Con más de 20 años de experiencia, creamos valor para las marcas líderes mundiales a través de la creatividad y la innovación, ofreciendo una flexibilidad increíble y un servicio al cliente espectacular.
Enamoramos a los consumidores de tu marca a nivel mundial. En un entorno digital y acelerado, desarrollamos creatividad y emoción para conectar las marcas con la sociedad, generando valor e impacto para la próxima generación de líderes.
+Contáctame+
Crecimiento:
Identificar y aprovechar nuevas oportunidades de crecimiento para acelerar la expansión e influencia en la industria de la belleza y la creatividad.
Grandes Relaciones:
Aprovechar mi red para establecer relaciones significativas y de alto impacto, así como alianzas estratégicas que impulsen el éxito.
Proyectos Especiales:
Colaborar en proyectos exclusivos e innovadores que desafíen el statu quo y aporten un valor excepcional.
+¿Quieres ser un Aktivist?
Buscamos constantemente expertos apasionados, motivados por el rendimiento y listos para generar un impacto significativo en la industria de la belleza. Nos especializamos en conectar marcas con consumidores a través de la creatividad, la innovación y el pensamiento estratégico.
Si te apasiona la belleza, te apasiona la excelencia y tienes la experiencia para superar los límites, queremos que te unas a nuestro equipo. Forma parte de un entorno ágil y dinámico donde las personas son el centro de todo lo que hacemos.
Expertos / Personas / Rendimiento / Pasión.
+Sé un ACTIVISTA+
• Consultoría de marca.
• Branding y Packaging.
• Comunicación y Motion Graphics.
• Redes sociales e influencers.
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Artículos de Juan
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85 mil seguidores
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Juan Campderà ha compartido estoJELLY IS MOVING OUTSIDE THE FORMULA In 2024, Milk Makeup’s Cooling Water Jelly Tint sold one every 20 seconds, generated more than 44 million TikTok views and built a waitlist of over 60,000 people. Jelly had clearly found its beauty moment. But what feels interesting now is not another wave of jelly formulas. It is the way brands are starting to translate the look and feel of jelly into the product itself, through transparency, glossy surfaces, juicy colour and gel-like forms. The texture is becoming part of the packaging language. FROM TEXTURE TO DESIGN CODE Jelly has always had one advantage over many other textures: you can almost understand how it feels just by looking at it. Translucent colour. Wet shine. Soft-looking volume. A finish that feels somewhere between cosmetic, candy and glass. That visual language is now starting to move beyond the formula. Milk Touch uses translucent cube-like caps and syrupy colour to extend the jelly effect into the object. Fwee’s Glowy Jelly Pot turns the visible formula and clear pack into one continuous visual experience. And packaging suppliers are now experimenting with inflated forms and explicitly “jelly-like gloss finishes.” The pack is no longer simply containing the texture. It is starting to communicate it. WHY THIS MATTERS NOW Beauty is increasingly discovered through a screen before it is experienced in person. That creates a basic challenge for a category built around texture: how do you make someone imagine a sensation they cannot touch yet? Jelly is particularly good at solving that problem. Transparency can suggest freshness. Gloss can suggest moisture. Rounded, liquid-looking forms can suggest softness and bounce. In other words, packaging starts doing part of the sensory work before the consumer ever opens the product. WHEN PACKAGING STARTS TO SHOW HOW BEAUTY FEELS That may be the more interesting evolution of jelly in 2026. A few years ago, jelly was primarily a formula story. Now its codes are becoming useful to designers because they can make a product feel juicy, cooling, fresh or bouncy at first glance. And that changes the role of packaging. It does not only tell us what the product is. It begins to tell us what the product might feel like. #BeautyTrends #BeautyPackaging #ProductDesign #BeautyInnovation #ConsumerTrends
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Juan Campderà ha compartido estoLIP MARKERS: LIP LINER AND LIP STAIN ARE MERGING INTO ONE FORMAT A new type of lip product is gaining ground: felt-tip stains designed to both define and colour the lips. The format is appearing at a logical moment for the category. Lip stains are seeing +38.6% YoY growth in popularity, according to Spate. Lip liner has also been one of the strongest-performing makeup segments. In the US, sales grew +28% in prestige and +36% in mass during the first eight months of 2025, according to Circana. It remained the fastest-growing prestige makeup segment in H1 2026. So two behaviours are growing at the same time: → more precise lip definition → longer-lasting, lightweight colour The marker format brings them into the same product. >> ONE FORMAT, TWO JOBS The felt tip gives enough control to trace the lip line precisely. The same applicator can then be used to fill the lips, while the stain formula leaves colour behind for longer wear. This removes part of the layering that has become common in lip routines. Instead of using one product to define and another to add lasting colour, brands are starting to combine both functions in the same format. That is why the current wave of lip markers is interesting. It is not a new need. It is a new answer to two needs that were already growing. >> THE MARKET IS RESPONDING Interest around recent launches has been strong. One major lip stain launch in February 2026 generated a +2,900% increase in Google searches within 24 hours. More importantly, several brands are now arriving at similar pen-like or felt-tip formats at the same time. That convergence usually tells us more than one successful launch. It suggests that brands are reading the same signals: precision is growing, stains are growing, and consumers want fewer steps without losing performance. >> PRODUCT INNOVATION PERSPECTIVE The interesting lesson is broader than lip products. Some of the best product opportunities do not come from inventing a completely new behaviour. They come from watching how consumers already combine products, then designing a format that does the job more simply. Here, two growing categories are effectively becoming one. What other beauty routines are ready to collapse into a single product? #BeautyInnovation #MakeupTrends #ProductDesign #ConsumerBehaviour #BeautyPackaging
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Juan Campderà ha compartido estoDENIM IS MOVING FROM THE WARDROBE TO THE VANITY Denim is becoming more than a fashion reference in 2026. Across beauty, its washed blues, indigo tones, stitched textures and even the fabric itself are starting to shape products and packaging. And the timing is not accidental. >> DENIM IS HAVING A STRONG CULTURAL MOMENT The material has been highly visible across the Spring/Summer 2026 runways, including Dior, Louis Vuitton, Miu Miu and Loewe, while Vogue describes 2026 as a season where denim is being explored across everything from rigid workwear-inspired constructions to distressed and faded washes. Consumer interest is moving with it. Pinterest reports that searches for “denim shorts outfits women” increased +430% YoY, while “denim patchwork shirt” rose +280% and “denim jorts outfit” +330%. Circana also identifies women’s low-rise denim as the fastest-growing denim type in the US between January and May 2026. >> BEAUTY IS TRANSLATING MORE THAN THE COLOUR This year, denim has moved directly into prestige beauty. Chanel built an entire limited-edition makeup collection around denim, translating different washes into blues, browns, faded oranges and pearlescent finishes. Even the powder embossing mimics woven threads. Guerlain went one step further with Blooming Denim, covering Rouge G, Ombres G and Météorites cases in upcycled denim sourced from luxury-house offcuts, then dyed, embossed, embroidered and screen-printed. Dior has also introduced a pale denim-inspired Mini Miss case. That distinction matters. Denim is not entering beauty as one specific shade of blue. It brings a much broader visual vocabulary: → Raw indigo → Faded and washed colour → Visible weave and stitching → Worn-in irregularity → A familiar everyday material elevated through craft >> WHY IT WORKS NOW Denim sits naturally between fashion, familiarity and personalisation. It is universally recognisable, but no two washes feel exactly the same. That gives beauty brands a way to create products that feel casual and accessible while still becoming collectible objects. For product design, the opportunity goes beyond copying denim blue. It is about translating the qualities that make denim recognisable (wash, texture, stitching, ageing and variation) into colour, surface and packaging. #BeautyTrends #BeautyPackaging #Denim #MaterialTrends #BeautyDesign
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Juan Campderà ha compartido estoYour customer DOESEN’T CARE which packaging you selected. But they really care about how the product works…. We spend a lot of time talking about bottles, tubes, jars, pumps, airless systems, materials… But from a consumer perspective, packaging is not the destination. It is the interface between the formula and the person using it. And this is where tips, closures and applicators become much more interesting. Don’t foul your self, because the right dispensing system can change the entire product experience: SO WICH IS THE RIGHT ONE FOR ME? The interesting question is therefore not: “Which packaging should we use?” It is: “What experience does this product need to deliver?”. This is particularly relevant now because beauty packaging is becoming more functional, not simply more decorative. → A silicone tip can make a serum feel more precise and hygienic. → A cooling metal applicator can turn an eye treatment into a ritual. → A controlled-flow nozzle can make a messy product easier to dose. → An airless system can protect a sensitive formula while making dose feel controlled. → A shaping applicator can turn a simple cream into a memorable experience. → A leak-proof closure can make a product genuinely better for travelling. MARKET DATA The global cosmetics & toiletries caps and closures market was worth about $18.3B in 2025. It is forecast to reach $29.2B by 2033, around 6% CAG Within the broader caps & closures market, dispensing caps represented 35.3% in 2025 and are forecast to grow at 5.7% CAGR One 2026 market analysis estimates that pump systems accounted for 28.1% of cosmetic packaging by dispensing mechanism in 2025. It also forecasts the pumps & dispensers segment growing at 6.6% CAGR. EXPERIENCE ORIENTED This is where I think packaging design is heading. Less “Which bottle looks right for my brand?” More: “What is the best physical experience for this product, formula and consumer?” Because sometimes the most successful packaging is not the most beautiful one. It is the one that makes the product better to use. +Airless + applicator → protection + precision +Silicone valve → hygiene + controlled dispensing +Cooling tip → sensory benefit + ritual +Shaping nozzle → visual experience + memorability +Multi-orifice → novelty + texture play +Leak-proof closure → convenience + confidence I’ve been collecting some great examples of tips, applicators, closures and dispensing systems that are doing exactly that. Some are simple, some are clever, and some are just fun. But all of them make you rethink the relationship between packaging and product experience. Which one would you choose for your next hero product? #beautypackaging #beautybusiness #beautyprofessionals #beautyintelligence
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Juan Campderà ha compartido estoSave the date NEXT WEEK in MONACO! I’m excited to be joining LUXEPACK Monaco 2026 as a speaker and taking the stage for the conference: From Constraint to Creativity: Turning Regulation into a Design and Brand Driver (30 Sept 2026 · 11:00). Come and join my session, and take the opportunity to explore the latest innovations, ideas and trends shaping the luxury packaging industry. 📍 Grimaldi Forum Monaco 📅 September 28–30, 2026 Looking forward to seeing you there! Don't forget to register online for free. https://lnkd.in/ewntZ6hP #beautyprofessionals #packagingprofessionals #beautybusiness #packagingbusiness
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Juan Campderà ha compartido estoPEARLESCENCE IS SOFTENING BEAUTY’S SHINE Beauty still wants to reflect light. But the way it does so is changing. After years of high-shine chrome, glass-like finishes and mirror effects, a softer type of luminosity is gaining ground: pearlescent, milky and slightly iridescent. And several signals are converging around it. Pinterest identified “opalescent” as +115% in its 2026 trend data, alongside +115% for “soft dewy makeup” and +140% for “alien inspired makeup”. >> FROM CHROME TO PEARL The shift is particularly visible in the way light is being treated. Pearlescence does not create the hard reflection of traditional metallics. Instead, light appears diffused across the surface, moving between soft pink, white, lilac, blue and silver depending on the angle. That difference is becoming increasingly relevant. At the 2026 Met Gala, BeautyMatter observed that sheer, pearlized finishes were replacing bold chrome across celebrity manicures. British Vogue later identified mother-of-pearl nails as one of summer’s key directions, sitting between the reflectivity of chrome and the restraint of more minimal beauty. >> CONSUMERS ARE PICKING IT UP This is not only an editorial aesthetic. The return of pearlescent lipstick has already translated into purchasing behaviour. One viral nacre-effect shade documented by Vogue exceeded 10,000 monthly sales on Amazon, after gaining traction through TikTok and triggering a wider wave of interest in pearl-effect lip colours. The appeal seems to sit in an interesting middle ground: → More dimensional than a flat colour → Softer than chrome → More refined than glitter → Familiar through its 1990s references → Futuristic through its colour-shifting effect >> FROM MAKEUP FINISH TO MATERIAL LANGUAGE And the movement is beginning to travel beyond formula. Packaging suppliers are exploring pearlescent coatings, subtle iridescence and blurred optical effects, while a pearlescent carton-decoration technology won the 2026 Cosmetics Business award for Best Secondary Packaging Innovation. That crossover is what makes the trend particularly interesting. Pearlescence can live on skin, in a formula, on a bottle or across a pack. It turns light itself into part of the product experience. Beauty is not moving away from shine. It is simply making it softer. If you enjoy our insights, subscribe to our weekly newsletter. https://lnkd.in/erJ7itqk #BeautyTrends #BeautyPackaging #MaterialTrends #BeautyInnovation #Pearlescent
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Juan Campderà ha compartido estoIndustry solved fragrance refill, but customer was forgotten? A few years ago, the message was clear: younger consumers wanted refillable fragrances. The industry mobilized incredibly fast. Glass manufacturers adapted, brands redesigned bottles and the traditional crimped FEA 15 was replaced by screw-neck solutions GPI 15. But this required significant investment in molds, components, filling processes and production lines. MARKET talks And then came the reality check, refillable fragrance sales grew rapidly, but didn't scale as projected, and remained a minority behavior: Now, only 42% of consumers are aware of refillable beauty options, a major adoption gap. Refillable fragrance still gaining traction, but remains a minority behavior. And refillable packaging, across beauty, still had not been broadly accepted by consumers, report show that for the most part, only some minor categories did succeed. Most consumers continued buying conventional bottles. The industry had solved the technical challenge. The consumer challenge was still largely untouched. Because refill isn't just a packaging innovation. It is a behavioral change. FRICTION POINTS So to understand better, what is going on, you have to visualize customer journey. It all starts with the need to "remember" to refill. Then find the refill. Understand how it works. Buy it. Open it. Refill the bottle. Store it. Repeat. Every additional step creates friction. So what did we expect... and more important what should the industry do next? → Design the refill ritual, not just the refill → Make the environmental and economic benefit tangible → Give consumers a reason to come back → Make refills visible at retail and online → Turn refill into a brand experience, not a replacement cartridge LEARNINGS The real KPI isn’t how many refillable bottles we sell. It’s how many consumers come back for the refill. +The first purchase creates the installed base. +The second purchase creates the habit. +The packaging challenge has been solved. +The consumer adoption challenge is next. We need to solve consumer adoption. The refill is ready. The consumer isn’t. The next challenge is not creating more refillable bottles, but making refilling simple, rewarding and desirable enough to become a habit. The industry has solved the packaging technology; now it needs to design the consumer experience around it. If you enjoy our insights, subscribe to our weekly newsletter. https://lnkd.in/erJ7itqk #Refill #RefillablePackaging #SustainablePackaging #PackagingInnovation #Sustainability
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Juan Campderà ha compartido estoInclusive packaging, the new normal. At some point in our lives, most of us will experience a temporary or permanent limitation: reduced vision, lower dexterity, an injury, ageing, wet hands, difficulty reading small text or simply not understanding how to open. Inclusive packaging is therefore not packaging for a minority. Figures are clear... +1.3 B people live with a significant disability this is +16% of the world's population +703 M people aged 65+. The UN projects this to reach 1.5 B by 2050. This makes inclusive packaging much more than a social responsibility. It is a mass-market design opportunity. But much packaging is still designed around an “standard consumer”, do you see the gap? +US disability community has +$490 billion in annual disposable income, with an extended market exceeding $1 trillion when friends and family. DESIGN for everyone Most interesting inclusive solutions are often surprisingly simple. And the beauty of universal design? These features don't only benefit people with disabilities. A tactile marker can help anyone find shampoo in a dark shower; an easy-open cap works better when your hands are wet. Don't create a “special” version. Design better for everyone. +Easy-grip & easy-open formats for reduced dexterity +High-contrast typography for better readability +Tactile markers to identify products without seeing them +Clearer information to reduce cognitive barriers +One-handed formats for greater independence BEAUTY is on the spot light Beauty packaging is not simply a visual identity system. We touch it, hold it, twist it, press it, open it, read it and use it repeatedly. This makes accessibility a particularly interesting challenge for the category. The important point is that these aren't necessarily “accessible products”. They are simply products designed with more people in mind. TECHNOLOGY is ready Inclusive packaging is also moving beyond the physical pack. QR codes can provide audio descriptions, multilingual information and more detailed instructions without overcrowding the pack. Voice interfaces and digital experiences can support consumers who have visual or reading difficulties, while emerging technologies can make information more adaptable to individual needs. BUSINESS opportunity Inclusive design can open products to previously underserved consumers while simultaneously improving usability for the wider market. It can create differentiation in crowded categories, strengthen brand trust and help companies anticipate changing demographic and regulatory expectations. We need to stop asking: “How can we make packaging accessible?” And start asking: “How can we make packaging work better for everyone?” Because inclusive packaging shouldn't be about creating more versions. It should be about creating better design. Is your packaging ready for the new normal? #Packaging #InclusiveDesign #BeautyPackaging #Accessibility #inclusivity
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Juan Campderà ha compartido estoSUSTAINABILITY DOESN’T HAVE TO LOOK SUSTAINABLE ANYMORE A plastic-free makeup palette can be metallic gold and bright pink. A bio-based fragrance cap can look and feel like burnt wood. And a luxury perfume bottle can become 20% lighter without changing the aesthetic consumers recognise. This is becoming an important shift in sustainable beauty packaging: environmental performance no longer needs to dictate the visual language of the pack. >> THE TECHNICAL OPTIONS ARE EXPANDING Recent projects show how much further materials and manufacturing have moved. CHANEL redesigned its Chance Eau Splendide 100 ml bottle to integrate 15% recycled glass, reduce the weight of the complete bottle and cap by 20%, and reach more than 95% recyclability, while maintaining the existing design. BYREDO’s Mojave Ghost Absolu uses a bio-based composite cap engineered to reproduce the texture of Japanese burnt wood, reducing the use of fossil-based feedstock without replacing the desired luxury finish with an “eco” one. AORA has taken another route. Its makeup packaging uses aluminium, tin and wood instead of plastic, while keeping saturated colours, metallic finishes and expressive forms. Even the palette mirror is made from tin rather than glass to simplify the material stream. >> WHY THIS MATTERS NOW The regulatory baseline is also moving. The EU Packaging and Packaging Waste Regulation has applied since 12 August 2026. By 2030, all packaging placed on the EU market must be recyclable, while plastic packaging will also face mandatory recycled-content requirements. This changes the design brief. Recyclability, material reduction and recycled content are progressively becoming technical constraints to solve, rather than optional visual positioning territories. And that gives brands more reason to separate two questions: How should the packaging perform environmentally? and How should the brand look and feel? They no longer need to have the same answer. >> A NEW DESIGN SPACE Bio-based composites can be glossy, textured or marble-like. Recycled aluminium can be polished, coloured and decorated. Lightweighting can happen without changing the silhouette. Mono-material construction does not have to mean visual simplicity. The challenge is increasingly to achieve less material, better recyclability or lower fossil content while preserving the weight, touch, colour, finish and desirability expected from beauty packaging. Sustainable packaging does not need a sustainable aesthetic. It needs sustainable engineering. If you enjoy our insights, subscribe to our weekly newsletter. https://lnkd.in/erJ7itqk #BeautyPackaging #PackagingInnovation #SustainablePackaging #EcoDesign #BeautyInnovation
Juan Campderà ha respondido a un comentario
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Tisha K Yes, and that gives brands much more to work with than a simple texture claim. Which product sensation do you think has the most potential to become a recognisable visual code next?
Juan Campderà ha respondido a un comentario
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Olena Zaitseva That’s the risk. Once the code becomes too common, it stops carrying much meaning on its own. What do you think would keep a jelly-inspired pack distinctive once the category starts repeating the same gloss and transparency?
Juan Campderà ha respondido a un comentario
12 h
Dr. Naeem Gulzar The sensory cue starts before the formula is even touched. Do you think consumers increasingly expect packaging to “preview” how a product will feel?
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Juan Campderà ha recomendado estoJuan Campderà ha recomendado estoWOMEN’S SPORT IS REDEFINING PERFORMANCE BEAUTY Women’s sport is no longer a niche cultural space. In the US, 46 billion minutes of women’s sport were watched in 2025, up 71% since 2022. Brand investment is following, with advertising spend in women’s sport up 120% since 2022. But growing visibility is also changing the conversation around how female athletes are represented. The recent backlash around Sydney Sweeney’s Novig campaign made that particularly visible. Female athletes responded by shifting the focus back to what women’s bodies do: strength, skill, endurance and performance. But taking women seriously in sport does not mean removing style, femininity or beauty from the picture. Fashion is already proving that. Miu Miu and New Balance’s latest Coco Gauff collection combines technical stretch jersey, breathable performance fabrics and freedom of movement with lingerie-inspired finishes and fashion-led detailing. Performance and femininity are being designed together, not traded against each other. Beauty is starting to make the same shift. Two of the 12 brands selected for Sephora Accelerate 2026 are explicitly building makeup around movement. FORTA Cosmetics, co-founded by WNBA player Lexie Hull, launched with a setting spray developed to withstand sweat, motion and long days. MOWE Beauty describes its makeup almost like performance clothing: breathable, sweat-adaptive and built for motion. And established beauty brands are moving closer to sport too. e.l.f. has expanded its NWSL partnership across all 16 league markets, working directly with female footballers while bringing makeup, skincare and match-day experiences into the sporting environment. This suggests something bigger than another “long-wear” claim. Traditional long-wear makeup asks: How do we make the product stay in place? Performance beauty asks: How do we design around the body in motion? Heat. Sweat. Friction. Breathability. Comfort. Movement. Women’s sport is not creating a reason for beauty to step aside. It may be creating an entirely new brief for it. What should beauty brands design differently for women who are constantly in motion? #BeautyTrends #PerformanceBeauty #WomensSport #BeautyInnovation #MakeupTrends
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Juan Campderà ha recomendado estoJuan Campderà ha recomendado estoSeptember is the industry's real new year. IAA Transportation, New York Fashion Week, IFA Berlin, the London Design Festival. Four unrelated industries. The same three weeks in September. Nobody coordinated this. It happens because budgets close and next year's direction gets locked in Q3, across categories that never talk to each other. For exterior design, that makes September the highest-density month of the year for signal. A shape shown in Hannover this month says more about 2028 than six months of spec sheets. Worth watching all four. Not because they're related. Because they're not, and they're still saying the same thing.
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Juan Campderà ha recomendado estoJuan Campderà ha recomendado estoNot everything stays hidden forever. In three days, the new Make a Mark edition will be revealed at LUXEPACK Monaco. Over the past months, twelve studios have been exploring what happens when creative freedom meets material and technical expertise. Different perspectives, different approaches, all starting from the same open brief. From 28–30 September, those ideas move from behind the scenes into the real world bringing together design, glass, labels, embellishment and the people who make experimentation possible. Made possible with ESTAL, Avery Dennison and LEONHARD KURZ. Five days to go. Discover the details at stand VA23.
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Juan Campderà ha recomendado estoJuan Campderà ha recomendado estoPaint has always been the one exterior decision that doesn't change. Pick a colour, it goes on once, it stays that way. In the showroom, in direct sun, at dusk, the same answer. Crystal-structure pigment paint breaks that logic. The hue shifts depending on the viewing angle and the light conditions. The same car reads differently depending on where you're standing and what time of day it is. It's existed for years as an expensive niche finish, difficult to apply consistently across panels. That's changing. The technology is becoming viable at production scale, and it's starting to appear in serious CMF trend reporting for exactly that reason. The interesting design question isn't technical. It's conceptual. If a surface behaves differently depending on conditions, the colour stops having one fixed answer. The car you spec in a showroom under artificial light isn't quite the same object you take home. That gap between the designed intention and the real-world experience has always existed in small ways. Crystal-structure pigment makes it the whole point. The design brief for that hasn't been written yet. But someone's going to have to. Photo credits: @mazzucchelli_alberto_, @apa_spa, @scutomattia_, @ag_wrap.
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Juan Campderà ha recomendado estoJuan Campderà ha recomendado estoSpain had two Formula 1 races in 2026. It also has two Spanish drivers on the grid: Fernando Alonso at Aston Martin and Carlos Sainz at Williams. Barcelona-Catalunya hosted its Formula 1 round in June. Madrid hosted the Spanish Grand Prix in September, returning Formula 1 to the city for the first time since 1981. This gives Spain more than a strong sports story. Formula 1 in 2026 is working on many of the same questions as the automotive industry: How to reduce weight without losing strength. How to manage more electrical power and energy in a high-performance vehicle. How to develop and validate parts faster. How to combine advanced materials, software and manufacturing quality in one product. The 2026 rules bring new hybrid power units and greater electrical contribution. Audi has entered as a power-unit manufacturer, while Red Bull and Ford have created their own powertrain operation. Spain already has strong capabilities in automotive components, materials, tooling, simulation, electronics and industrial production. Two races and two drivers bring attention. The useful next step is to turn that attention into more engineering links, talent programmes and technical projects. For Spanish industry, Formula 1 should be a place to show how it can help turn high-performance ideas into parts that work every day, at automotive scale.
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Juan Campderà ha reaccionado a estoJuan Campderà ha reaccionado a estoEvery L’Orchestre Parfum fragrance starts with a memory. For Heavy Bubblegum, I went back to my very first concert. I’m 16, backstage with Harry Poppers, my first metal band 🤘😤 Stress, anxiety, a piece of red fruits bubble gum taking it all in. Then I step on stage. The cold metal of the microphone against my lips. The first note. Release. That indescribable state of flow where time suddenly stops. With Pierre Guéros and Christopher Pickel we turned that memory into an oversized, addictive and Heavy bubble gum accord. Then SUN entered the story. When she first smelled the fragrance, she loved its energy but immediately said: “It needs more mids and bass.” I knew we spoke the same language. She told me about her touring companion: her microphone, covered with traces of lipstick after countless shows. That was our missing piece. Lipstick on a metallic microphone. Violet, iris and musks bringing heart, sensuality and depth to the composition. By sharing her own experience of the stage, Karoline Rose SUN helped us complete this creation. And that’s exactly what L’Orchestre Parfum is about. Merci Sun, Bassem Ajaltouni for your trust. So proud of this new creation. Can’t wait to see where this incredible adventure takes us next 👀 Lola Moynot Daphné Chagny Juline Potier Matthieu Roustan Manon Carrere Buddy Abrahams Charlotte Vignon Olivier RAULIN Sylvaine Falque Pascal LE BRIS Sophie Normand Lola S. Clorinda Di Tommaso
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IESE Business School - University of Navarra
PDG Programa de dirección general. Executive Education
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IESE Business School - University of Navarra
Learning to grow Custom programs. Executive Education
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University of the Arts London
Master of Arts (M.A.) Central Saint Martins College Industrial and Product Design
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ELISAVA Escola Superior de Disseny i Enginyeria de Barcelona
Bachelor’s Degree Industrial and Product Design
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Bronze Popai Award for Master & Blenders, Marcilla , POS
Popai Award
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Bronce Identidad Gráfica AKT
LAUS - ADG FAD
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Bronze Popai Award for Revlon POS
Popai Awards
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RCA - Royal Academy of Arts
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FAB L'Style
Fashion is at a crossroads. With up to 10% of global carbon emissions linked to the industry and millions of tons of waste generated annually, the old models of fast fashion are no longer tenable. At FAB L’Style Magazine, we believe the future of fashion lies in truth, transparency, and transformation. That’s why we sat down with Carol Blázquez García, Sustainability and Innovation Director at Ecoalf, a brand that has become a global benchmark for impact-driven design. From collecting ocean plastic to building deep supply chain traceability and pioneering regenerative textiles, ECOALF demonstrates that fashion can do more than minimize harm. It can restore. Carolina’s 15-year journey from fast fashion designer to sustainability leader is proof that change is possible when conviction meets innovation. Her words echo Ecoalf’s timeless ethos: “Because There Is No Planet B.” Read the full interview here: https://lnkd.in/dheY2ZJx #Sustainability #FashionBusiness #Ecoalf #CreativeEconomy #RegenerativeFashion #FABLStyle