Eight Indiana University faculty members have been chosen for the Presidential Arts and Humanities Fellows Program. It supports the work of faculty who are becoming national and international leaders in their fields.
The program amplifies and accelerates the fellows’ research and creative projects and supports their scholarly success. Fellows receive funding support for their research and professional development through training in areas such as grant writing, scholarly communication with the public, media training and digital scholarship.
IU President Pamela Whitten started the fellows program in 2022. It is supported by the IU Office of the President and IU Research.
“This fifth cohort of the Presidential Arts and Humanities Fellows Program reflects the incredible depth of talent, creativity and scholarship at IU,” Whitten said. “These faculty members are building on IU’s longstanding history of excellence in the arts and humanities while demonstrating the essential role these fields play in advancing knowledge, enriching culture and addressing complex questions.”
This year’s cohort has four faculty members from IU Bloomington, two from IU Indianapolis and two from IU South Bend.
“The work of these fellows doesn’t stay inside the academy. It moves out into the world as performance, publication, exhibition and public conversation,” Assistant Vice President for Arts and Humanities Edward Dallis-Comentale said. “They are recovering lost histories, walking ancient landscapes to understand the present, building new institutions and finding audiences well beyond their disciplines. This combination of intellectual ambition and public impact is exactly what this program was designed to cultivate.”
Katina Bitsicas
Bitsicas’ fellowship project will involve developing the EcoMedia Lab and furthering her creative practice in BioArt and EcoArt. The lab will be an interdisciplinary research and creation studio dedicated to BioArt, EcoArt and experimental media practices that investigate living systems, environmental change and speculative futures. Bitsicas will develop an artist-in-residence program to support the programming and creative production in the EcoMedia Lab. She also plans to co-host a symposium on BioArt and biohacking in the spring of 2027.
Kelcey Ervick
Her IU Presidential Arts and Humanities book project, “My Viking Name,” is a graphic memoir inspired by her experience of reclaiming her “maiden name” and reconnecting with her grandfather’s Norwegian village and the family members who share that name.
The project will juxtapose family photos and archival documents with colorful hand-drawn illustrations of people and places. As a cultural inquiry, the book will question the laws, customs and language used about naming. Specifically, it will illustrate Ervick’s personal story of changing her name, forging new ties with her Norwegian family and recovering a lost part of herself.
Shannon Gayk
For her fellowship project, Gayk will advance three interconnected projects that explore the relationships among the material world, sacred experience, movement through landscapes and environmental thought. She plans to complete “Instruments of Christ: Performing the Passion in Early England,” a longue durée interdisciplinary monograph on the arma Christi, the objects associated with Christ’s Passion.
The fellowship will support “Saunter: Medieval Pilgrimages in Modern Europe,” a work of experiential and place-based writing that traces the modern afterlives of medieval pilgrimage. Gayk will also advance her work as editor of “The Oxford Handbook of Medieval English Literature and the Environment,” a collection that will bring together 50 scholars to map the emerging field of premodern environmental criticism.
Jennifer Muñiz
Muñiz has an interest in the rebuilding of Chicago’s cultural life after the Great Fire of 1871. Her IU Presidential Arts and Humanities Fellowship project, “Forging an American Sound: Chicago’s Art Music,” intends to blend Muñiz’s specialties of piano performance and musicological research. It involves publishing a collection of Arne Oldberg’s manuscript chamber and solo piano scores, recording a chamber music album and hosting a speaker series at IU South Bend featuring prominent musicologists. The purpose is to expand scholarly and public awareness of an underrecognized chapter of American art music centered in the Midwest.
Jason Palamara
For his fellowship project, Palamara will compose a live musical score for the 1925 silent film “The Lost World,” which is a major influence on modern science fiction films. His project, “Another Lost World,” will be a musical and media work that transforms the silent film into a multi-sensory theatrical experience. He will present the reimagined experience in the spring of 2027 with a cast of live musicians, actors, sound-effects specialists and custom-developed autonomous music systems.
Danielle Riede
Across Riede’s career, she has explored the idea of what painting can become when the body, materials and site are treated as one medium. She uses the studio as a laboratory for embodied inquiry and eco‑material experimentation.
Riede’s fellowship project will support the continued development of her “Wingspan” and “Venus Walks on Pearls” series in preparation for a solo exhibition in Basel, Switzerland. By combining natural materials with repurposed paint fragments, she will develop a large “paint-chip wall weaving” that will be featured in the exhibition. She will also research goddesses from antiquity to inform new installation-based works.
Olga Rodríguez-Ulloa
For the IU Presidential Arts and Humanities Fellowship project, Rodríguez-Ulloa is working on a monograph tentatively titled “Unexpected Migrants: Andean Women Against the U.S. Empire.” The book foregrounds women of Indigenous ancestry who confronted racial and gendered violence in the Andes and the United States. The book traces their activism staged in key moments of U.S. cultural and political history. An additional part of the project is a co-edited volume that brings together scholarship, thought and activism on Andean diasporas.
John Walsh
Walsh is the editor of digital scholarly editions, including the “Chymistry of Isaac Newton,” and he developed Comic Book Markup Language for scholarly encoding of comics and graphic novels.
Walsh’s fellowship project, “The Global Life of Comics: Editions, Visual Narrative and Reader Communities,” examines comics as globally circulating cultural forms shaped by the interaction of creators, texts and readers. It will expand digital scholarly editions of historically significant American comics and use multimodal methods to analyze the evolution of page layout and visual narrative across 16 years of Jack Kirby’s work at Marvel and DC. The project will also involve international research in France and Belgium, focusing on the Franco-Belgian bande dessinée tradition and its participatory cultures.
