Philip Hensher
Philip Hensher: We shouldn't be terrified into giving up liberties

Published: 14 December 2005
Philip Hensher: Poetry as a weapon in the war on terror

Published: 07 December 2005
Strange how poetry, of all things, has turned into an austerely functional pursuit, one designed to get results. Twenty years ago, it would have been hard to find anyone who would dissent from the aesthetic proposition that poetry basically made nothing happen, anywhere. The idea that a poem might be used, like a garlic press, for some particular purpose would have seemed absurd. Poetry was basically useless; that was really its justification.
Philip Hensher: Politics, even in Canada, is a noble calling

Published: 30 November 2005
Philip Hensher: Is murder worse when the victim is a police officer?

Published: 23 November 2005
Philip Hensher: When opera descends into black comedy

Published: 16 November 2005
Down at a dress rehearsal for the Royal Opera House's Ballo in Maschera, the second scene begins; Ulrica, Satan's best friend and fortune-teller, hobbles on; and - "What's she got on?" "An old horse's second-best blanket, by the looks of things." "No, I meant - what's she got on her face?" "Oh my God. She's not black, is she?" "No - she's just - she's just." "Oh my God. She's - what's the technical term - " "Blacked up, I believe." "Lovely expression. Haven't heard that for a while."
Philip Hensher: Too much free speech can be damaging

Published: 09 November 2005
Philip Hensher: Blank walls, public spaces and poetic licence

Published: 02 November 2005
Philip Hensher: As a playwright, he is a fine diarist

Published: 28 October 2005
Usually, when one says of a play that one has mixed feelings about it, it means the opposite; very unmixed feelings of disdain and dislike. In the case of the revival of Simon Gray's 1975 play Otherwise Engaged, which opens at the Criterion in London next week, the expression is exact. One hardly knows what to wish for it; even someone who, like me, hugely admires and enjoys Gray's writing may contemplate the prospect of the production turning out to be a success with perhaps unworthy doubts.
Philip Hensher: Brilliant art, scandalous conflict of interest

Published: 26 October 2005
Philip Hensher: We must change some of our behaviour

Published: 19 October 2005
Philip Hensher: The simple and terrifying task of filling a space

Published: 12 October 2005
Philip Hensher: Mr Vettriano doesn't deserve scorn

Published: 05 October 2005
Philip Hensher: Foreign languages don't have to be European

Published: 28 September 2005
Philip Hensher: Offensive Christians (and offensive theatre)

Published: 21 September 2005
Philip Hensher: The curse of celebrification

Published: 14 September 2005
Philip Hensher: An artful choice, an admirable painting

Published: 07 September 2005
Philip Hensher: Music, not sex, will attract crowds to opera

Published: 05 September 2005
Philip Hensher: Rejoice that rhyming slang is no longer 'nang'

Published: 23 August 2005
Philip Hensher: If A-level results are like a marathon, then who gets to be Paula Radcliffe?

Published: 20 August 2005
Philip Hensher: There's nothing wrong with plagiarism

Published: 16 August 2005
Philip Hensher: Where's the orchestral variety?

Published: 12 August 2005
One of the most interesting features of the Proms season is the glimpse it gives of a concentrated range of orchestral traditions. Though the backbone of the season is always supplied by the BBC and other British orchestras, a decent array of visiting ones varies the texture.
Philip Hensher: There's more to a good cookbook than recipes

Published: 10 August 2005
Philip Hensher: Can no one criticise Rowling?

Published: 05 August 2005
Though J K Rowling's new Harry Potter novel must be getting on for 200,000 words, newspapers must have published considerably more than that in commentary on the book, features, reviews and news articles within a day or two. So, unless you've decided to make the examination of Potteriana your life's occupation, you may well have missed a small but fascinating intervention. Terry Pratchett has taken exception to a more than usually foolish Sunday Times article about Rowling, and written in reply in characteristically vivid terms. The newspaper had suggested that before Harry Potter, fantasy fiction was a limp affair of "knights and ladies morris-dancing to Greensleeves".
Philip Hensher: The delusions of world music

Published: 02 August 2005
Philip Hensher: The modern art of poetic licence

Published: 27 July 2005