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Child abuse PSA street-poster has a secret message for kids

The Anar Foundation and Grey Spain created a lenticular street-poster about child abuse that shows a "secret" message to people who view it from a kid's eye-height.

ANAR Foundation manages in Spain the european unique phone number 116 111, to attend children and teenagers under a risk situation. On this telephone number, only for minors, they can find the help they need in a totally anonymous and confidential way. But, how can we get our message to a child abuse victim, even when they are accompanied by their aggressor?

Knowing the average height for adults and children under 10,GREY has created two different messages. Using an outdoor lenticular we show adults an awareness message, while children see a message where we offer them our help and show them the telephone number. A message only for children.

Glad they're using this power for good and not evil. Wait until the grocery stores get hold of it and start loading the pester-power ads at kids' eye-height.

FUNDACIÓN ANAR. "ONLY FOR CHILDREN"

Zach Braff: Man of the People or Horrible Person? (Neither)

Zach BraffEmmy winning writer/director/producer Ken Levine went after Zach Braff today in a blog post about the actor's recent foray into crowdfunding. The Scrubs alum has raised millions of dollars for his planned sequel to Garden State from regular folks, when the Hollywood money machine proved to be unavailable and/or undesirable.

Levine's argument is compelling. He essentially says that Kickstarter was created for people who don't have access to Hollywood. Braff obviously does, therefore his use of Kickstarter to fund his movie is tantamount to breaking the crowdfunding Code of Hammurabi. Following a deft takedown of Sundance for having become a tool of Hollywood rather than an alternative to it, Levine writes:

Sundance is a lost cause. But Kickstarter isn’t. Not if we put a stop to this now. If you only have so much money to give to charity, give it to cancer research and not to help redecorate Beyonce’s plane. Support young hungry filmmakers. The next Kevin Smith is out there… somewhere. He (or she) just needs a break, which is what Kickstarter is supposed to provide. Zach Braff can find his money elsewhere. He did once before. He’ll make his movie. And if it’s half as good as GARDEN STATE I will praise it to the heavens in this blog and urge you to go spend your money to check it out.

This argument assumes, however, that Hollywood doesn't make mistakes... that when they hear a pitch for a good movie, they always fund it. That's certainly not true. Plenty of good ideas never get made and plenty of bad ones do. Maybe Braff barked up every tree he could, and still couldn't get it funded. Or maybe he just wanted to make sure, as he notes on his Kickstarter page, that he would be able to maintain creative control. All of that seems fair to me. Successful actors, even rich ones, should have an alternative to the company store.

So, I don't have a problem with Zach Braff going to the public and asking for money in exchange for things like private screenings and meet and greets. (For $200 he'll scrawl your name on a wall that will appear in the film. Yay!) Now, just to be clear, I think people that willingly give their money to a millionaire in exchange for stuff that costs him nothing are nuts. I wouldn't fund a movie in exchange for that. But it's a free country. Each of us can do as we please with our money.

But consider this: Zach's raised close to $2.5 million for his movie from almost 35,000 people. If he'd raised that money from private investors, he'd have to pay that money back and give away a big chunk of the profits. Raising the money through Kickstarter - for the sequel to the enormously popular Garden State - means he doesn't have to pay anyone back and gets to keep all the profits.

He's a fucking genius.

Like I said, as well intentioned as Braff's investors are, I can't help but think of them as suckers on some level and like Levine, I'd won't participate. On the other hand, I'd almost certainly be willing to invest in a movie in which I believed in exchange for some of the back end. I know in most cases it'd be a gamble, but maybe my $250 could turn into $500 or $1000. If the movie tanked though, I'd be OK with it, because I'd helped produce something that meant something to me. That's a model that makes sense.

Maybe Braff and other independent filmmakers should be selling shares in their movies, not tickets to the after party. If they did that, those 35,000 investors would almost certainly act as guerilla marketers too. They'd have a real, tangible incentive to get the word out. In the end, the public would almost certainly get to see a lot more different types of movies... and a few of them might actually be pretty good.

Image Source: david_shankbone, via flickr

Faced with excommunication threat, Irish PM explains separation of church and state to Cardinal


The Catholic Church threatened to excommunicate Irish Prime Minister Enda Kenny if he held a scheduled vote on Ireland's new abortion law. He responded:

Everybody’s entitled to their opinion here but as explained to the Cardinal and members of the church my book is the constitution and the constitution is determined by the people. That’s the people’s book. We live in a Republic and I have a duty and responsibility as head of Government to legislate in respect of what the people’s wishes are.

Redditor bleacliath created a great graphic for this quote and posted it to /r/atheism.

Politicians ‘have responsibility’ to legislate on abortion issue

Don't ever speak to the FBI without a tape recorder running and a lawyer present

Civil liberties and civil rights attorney Harvey Silverglate made this video to show you how to protect yourself from FBI agents who will interview you, then claim you lied so they can threaten you with imprisonment unless you become their puppet.

The message from Robel’s prosecution and Silverglate’s advice is clear: do not talk to the FBI without your lawyer present. If Harvey’s decades long experience is any indication, chances are that the agents will politely decline to interview you if you and your attorney insist on creating an accurate record of an FBI interrogation.

Robel Phillipos, 19, faces eight years in jail if convicted of making false statements to FBI agents in wake of the bombing

(Thanks, Tim!)

23 words that have remained unchanged for 15,000 years

"A research team led by Mark Pagel at the University of Reading in England has identified 23 'ultraconserved words' that have remained largely unchanged for 15,000 years." - Washington Post (Thanks, D.S. Deboer) Mark

Onion gets hacked by Syrian propagandists, responds with funny article


The Onion got hacked by the Syrian Electronic Army, who proceeded to send out a bunch of tweets that could have been mistaken for actual Onion tweets making fun of the sort of thing that Syrian propagandists would tweet if they hacked the Onion's Twitter (see after the jump for the full list). But no, they actually did get hacked.

The Onion responded by putting up a post called Syrian Electronic Army Has A Little Fun Before Inevitable Upcoming Deaths At Hands Of Rebels, which matches the Assadists' bluster and is much funnier:

DAMASCUS, SYRIA—After hacking into The Onion’s Twitter account earlier today, members of the Syrian Electronic Army confirmed that the organization simply wanted to have a little fun before soon dying at the hands of rebel forces. “We figured that before they bust in here and execute every single one of us, we might as well have a good time and post some silly tweets about Israel from a major media outlet’s feed,” said a spokesperson from the pro-Assad group, adding that he and his cohorts “had a few good laughs” and are now fully prepared for their painful and undoubtedly horrific deaths in the coming days. “I mean, we definitely don’t have much time left, so we thought, hey, let’s just enjoy ourselves before getting blown away by rockets, decapitated, beaten to death, or hung during public executions. Why not, right?” At press time, violent screams and pleas for mercy were reportedly overheard as rebel troops broke into the Syrian Electronic Army’s hideout.

Read the rest

Timelapse of beautiful, ancient, endangered red pine forest in Ontario

Here's a beautiful timelapse video of an endangered, uniquely significant red pine forest in Ontario. The Ontario government has just renewed the mining licenses for the territory around it:

Wolf Lake is surrounded by the largest ancient red pine forest in the world - an endangered ecosystem that remains in only 1.2% of its former extent. The government of Ontario promised protect the ancient forest, but 13 years later it is still open to destructive mining and mineral exploration.

Save Wolf Lake (Thanks, Jon!)

Camille Rose Garcia "Alice in Wonderland" exhibit in San Francisco

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Opening at San Francisco's Walt Disney Family Museum on Thursday is "Down the Rabbit Hole," a show of Camille Rose Garcia's magnificent, dark, and dreamy paintings created for her illustrated edition of Lewis Carroll's Alice's Adventures in Wonderland. Forty of Garcia's paintings will hang alongside ten Alice in Wonderland concept paintings from 1951 by legendary Disney artist Mary Blair. Garcia will be at the museum this Saturday giving a painting workshop and also an artist's talk. This major exhibit will run until November 3.

Camille Rose Garcia: Down the Rabbit Hole

New Tom Gauld print: "Some advice on how to cope in these tough times"

Cartoonist Tom Gauld (author of You're All Just Jealous of My Jetpack) has a gorgeous new letterpress print.

A three colour letterpress print on 175gsm Somerset paper in an edition of 250 signed and numbered copies. The image is 21cm by 25cm, and the paper is 27 by 32cm.

The print will be available in late May but you can pre-order now. It costs £85 (including p&p) in the UK and £90 (including p&p) in the rest of the world.

Please note: This is a hand made print so there will be some small variations in tone and registration over the edition. This will be the only edition I make of this print.

I have one of his prints, "Characters for an Epic Tale," and I can vouch for its high quality. (See more posts about Tom Gauld on Boing Boing.)

New Tom Gauld print: "Some advice on how to cope in these tough times"

Content barons are the richest CEOs

Alan sez, "Following up on Bloomberg's earlier posting of the CEO-to-average pay ratio, the NY Times has looked laterally across CEO pay levels and discovered that the richest of the rich are the 'media moguls' (their term). Given that the average media CEO makes $10 million more than the average non-media CEO it's hard to be sympathetic to their constant whining about how much illegal copying is hurting them."

The comics of Joan Cornellà

Joan Cornellà's painted cartoon strips are wonderfully weird.

EFF updates the Takedown Hall of Shame

The Electronic Frontier Foundation has published its latest "Takedown Hall of Shame" installment, listing three companies that used baseless and stupid legal threats to censor the Internet. The current crop includes Kern's Kitchen in Louisville, which claims a trademark on the common term "Derby Pie" and threatens bloggers who post their family recipes for the classic desert -- they also target WordPress.com for their threats (one victim changed the name of the recipe to "Mean Spirited Censorship Pie).

Another inductee is Time Warner Cable, who went after a critic who put up a site making fun of the company's terrible customer service, trying to get its YouTube, Twitter and other social media sites taken down.

Finally, there's Fox, which earned a place in the Hall of Shame by sending out fraudulent takedown notices over my bestselling novel Homeland, swearing on pain of perjury that it represented me (it doesn't).

Takedown Hall of Shame Inductions, May 2013

Tell Me Something I Don't Know 007: Jeff Smith

This is episode 7 of Boing Boing's, Tell Me Something I Don't Know. It's an interview podcast featuring artists, writers, filmmakers, and other creative people discussing their work, ideas, and the reality/business side of how they do what they do.

Jeff Smith began writing, drawing, and publishing Bone in 1991, through his company, Cartoon Books. He championed self-publishing in the 1990s with other independent cartoonists known as the Spirits of Independents and continues to self-publish through Cartoon Book. Since 1991, Bone has become a world-wide phenomenon, published in nearly 30 languages. In 2005, Scholastic reissued Bone in color through their Graphix imprint, inspiring an entire generation of young cartoonists who found his work through traditional book stores, comic book shops, schools, and libraries. He followed the Tolkien-esque, Bone, with Shazam! The Monster Society of Evil (DC Comics) and RASL (Cartoon Books) - a sci-fi noir about a dimension-hopping art thief. Smith recently announced his next project, Tüki Save the Humans, about the first human to leave Africa during the Ice Age.

Tell Me Something I Don't Know is produced and hosted by three talented cartoonists and illustrators:

Jim Rugg, a Pittsburgh-based comic book artist, graphic designer, zinemaker, and writer best known for Afrodisiac, The Plain Janes, and Street Angel. His latest project is SUPERMAG.

Jasen Lex is a designer and illustrator from Pittsburgh. He is currently working on a graphic novel called Washington Unbound. All of his art and comics can be found at jasenlex.com.

Ed Piskor is the cartoonist who drew the comic, Wizzywig, and draws the Brain Rot/ Hip Hop Family Tree comic strip at this very site, soon to be collected by Fantagraphics Books and available for pre-order now.

Follow TMSIDK on Twitter

Subscribe to the Tell Me Something I Don't Know podcast | iTunes

Crowdfunding a CC-licensed translation of classic Yiddish book Poylishe Velder (In The Forests of Poland)

Eric sez,

Best selling author and native Yiddish speaker Michael Wex has launched an indiegogo campaign to translate what he is calling the most important work of world literature that you've probably never heard of. The book, written by Joseph Opatoshu in 1921 when he was a young Polish immigrant living in New York City is an historical novel about 19th century Jewish Eastern Europe:

A vast panorama of Jewish life in Poland during the 1850s, Opatoshu's novel concentrates on backwoods Jews who live among gentile peasants rather than in Jewish communities in cities or shtetlekh. Touching as it does on hasidism, heresy, pre-Christian Polish folk customs, wife-swapping, messianism, and Polish nationalism, this book will change the way you think about Jewish life in Poland.

When he completes the work in about a year the translated novel will be released under a Creative Commons license. Wex hopes that a new translation will bring Opatoshu's 1921 novel to a broader audience. "It'll change everybody's views of Jewish life in Poland,' Wex writes. 'If this campaign works, it'll also help other translators find a way to fund their own projects and establish a whole library of world literature that hasn't been translated into English before or has never been translated properly. Raising the money in advance means that the translators can work full time; since the finished product doesn't cost anything, they don't have to worry about a book's commercial potential. It's like a grassroots Guggenheim."

Wex wrote the wonderful book Born to Kvetch, which I reviewed in 2009.

New Authorized Translation of a Classic Yiddish Novel into English

Ray Harryhausen (1920 - 2013)

One of the greats is gone today. Thanks for the wonderful movies, Ray!

The Harryhausen family regret to announce the death of Ray Harryhausen, Visual Effects pioneer and stop-motion model animator. He was a multi-award winner which includes a special Oscar and BAFTA. Ray’s influence on today’s film makers was enormous, with luminaries; Steven Spielberg, James Cameron, Peter Jackson, George Lucas, John Landis and the UK’s own Nick Park have cited Harryhausen as being the man whose work inspired their own creations.

Harryhausen’s fascination with animated models began when he first saw Willis O’Brien’s creations in KING KONG with his boyhood friend, the author Ray Bradbury in 1933, and he made his first foray into filmmaking in 1935 with home-movies that featured his youthful attempts at model animation. Over the period of the next 46 years, he made some of the genres best known movies – MIGHTY JOE YOUNG (1949), IT CAME FROM BENEATH THE SEA (1955), 20 MILLION MILES TO EARTH (1957), MYSTERIUOUS ISLAND (1961), ONE MILLION YEARS B.C. (1966), THER VALLEY OF GWANGI (1969), three films based on the adventures of SINBAD and CLASH OF THE TITANS (1981). He is perhaps best remembered for his extraordinary animation of seven skeletons in JASON AND THE ARGONAUTS (1963) which took him three months to film.

Harryhausen’s genius was in being able to bring his models alive. Whether they were prehistoric dinosaurs or mythological creatures, in Ray’s hands they were no longer puppets but became instead characters in their own right, just as important as the actors they played against and in most cases even more so.

Raymond Frederick Harryhausen, Born: Los Angeles 29th June 1920, Died: London 7th May 2013