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A series about a human space-simulation experiment that breaks boundaries
Film censors allow plots that reflect Beijing’s more muscular foreign policy
The song took on a life independent of The Doors, with covers by Stevie Wonder, Al Green, Will Young and many others
FT critics review the latest shows on Broadway and beyond
Although Simon Rattle was missing, there were star performances among the six soloists
An adaptation of a Soviet-era prose-poem that lacks the original’s ribald humour
FT critics review the latest and best shows in the West End, across the capital and the UK
New artistic director Michelle Terry’s approach brings gains and losses to these two plays
Russell T Davies’ drama makes a good case for the Jeremy Thorpe affair as the ‘trial of the century’
‘A Year of Hate Crime’ explores the consequences for the city’s Muslims while ‘The Night of the Bomb’ remembers the event itself
The forerunners of hip-hop return with an account of the meaning of blackness set to dub reggae
The title track lives up to its name by unfolding thoughtfully over the gentle slopes of a waltz
The singer’s second solo album employs swirling guitar riffs, racing percussion and sparkling kora
Matt Damon joins a settlement of small people who live in a kind of theme-park suburb paradise-hell
On her second solo album the Australian singer-songwriter tries to find a bearing in a divided
The photographs with soft colours and cinematic compositions offer a playful glimpse into his personal life
The fast-rising soprano came late to singing — and is glad that she did
The four-time Grammy winner delivered an exquisite set of songs reconfigured in gentle, subtle arrangements
The remarkable story of the actor’s 10-year quest to write, direct and star in a film about the tragic last years of Oscar Wilde
Gary Oldman as Winston Churchill does not so much chew the scenery as devour it whole
Hugh Jackman stars in a musical combining rags-to-riches aspiration and burlesque melodrama
The music is rooted in underground rock but different styles are incorporated without fuss
The first opportunity on disc to hear the composition as it was performed in Naples in 1774
Discovery and resurrection are at the heart of the artist’s career and work
This rarely staged piece showed how the choreographer dug deep into the history of dance
