Critic’s Notebook
In a Hometown Send-Off, Aretha Franklin Belongs to Everyone
The gospel church, the pop public, the city of Detroit: The “Queen of Soul” was part of them all, but they didn’t define her singular gifts.

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The gospel church, the pop public, the city of Detroit: The “Queen of Soul” was part of them all, but they didn’t define her singular gifts.
By JON PARELES
“And Nothing Hurt,” the first Spiritualized album in six years, is the result of the 53-year-old musician’s “obsessive” process of assembling sounds.
By JON PARELES
For the second time in six months, the boy band is atop the charts.
By JOE COSCARELLI
Hear tracks by LSD, Big Red Machine, Laura Jane Grace & the Devouring Mothers and others.
By JON PARELES, CARYN GANZ and GIOVANNI RUSSONELLO
Excellent productions of “Rigoletto” and “Evita” were among the highlights.
Markus Hinterhäuser, who took over the festival last summer, is already making his mark with daring stagings and a focus on late-20th-century music.
By ANTHONY TOMMASINI
The tangent piano, a rarity from the late-18th century, is the star of Alexei Lubimov’s recording of works by Carl Philipp Emanuel Bach.
By CLEVELAND JOHNSON
Chamber music conventions dictate that on the rare occasion that a viola gets the melody, it’s facing the wrong way.
By CORINNA da FONSECA-WOLLHEIM
Our guide to the city’s best classical music and opera happening this weekend and in the week ahead.
By DAVID ALLEN