Wine Economist Flashback: Stumbling into Sherry in Madrid

Sue and I are traveling in Spain and one of our goals is to learn more about what’s happening in the Sherry industry. It is our first visit to Andalucia, but not our first exposure to the world of Sherry wines. I thought you might be interested in this “Flashback” column from 2017 that reports on our very successful search for Sherry in Madrid. This flasback might especially timely given a recent Financial Times article on “How Sherry Got Chic Again.”

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Can Sherry Be the Next Big Thing?

The Wine Economist / May 16, 2017

tioCan Sherry be the “Next Big Thing” in wine? I know what you are thinking. Sherry? C’mon! That’ll never catch fire in a big way. And you may be right, but give me a chance to make my case before you close the door on the Sherry cabinet.

One of the things that Sue and I wanted to do during our recent visit to Spain was learn more about Sherry. But the itinerary seemed to work against that. No time to jet south to Jerez de la Frontera in Andaluca, Sherry’s home. We would have to piece together our education in other wine regions. With a little luck and some helpful friends, we managed quite well.

Stumbling on Sherry in Madrid

Madrid is a long way from Jerez, but we found Sherry all around us, suggesting just how much it is a part of Spanish culture. Walking the aisles of the historic San Miguel market near the Plaza Mayor, for example, we stumbled upon a market stall called The Sherry Corner where dozens of different wines were offered by the glass at bargain prices. We had fun trying new Sherry wines and revisiting old favorites.

sherrycorner

The Sherry Corner offers a fun self-guided audio tour of Sherry wines. For €30 you get six glasses of different Sherries in a special carrier, coupons for six matching tapas from various market stalls, and an audio program available in six languages. It is quite a bargain when you do the math and it lets you both get to know the wines, experiment with pairings, and take advantage of the amazing tapas on offer at the market.

We found a completely different experience at the restaurant Zahara de Osborne in the Plaza Santa Ana, which was close by our hotel. The restaurant is owned by the Osborne wine group that is famous for its Sherry wines (you can see the Osborne bull staring down from hilltops all around Spain).

The idea of the restaurant was to bring the food and culture of Andaluca to Madrid. We challenged our waiter to create that experience for us and he did a great job choosing the dishes and helping us with pairings. Gosh, the Fino was delicious with a delicately fried whole fish!

Indigenous Sherry Culture

Not that Madrid does not have its own indigenous Sherry culture. There are Sherry bars in several parts of the city. Friends guided us to one called La Venencia, where the Sherry is served en rama, fresh and unfiltered, right from the barrel, which is a style I like a lot. My university colleague Harry uses La Venencia as his office when he is in Madrid (which is a lot) and he made introductions to José and Gabriel who worked the bar that day.

La Venencia has as much depth and character as the wines that are served there.  If you have any pre-conceptions, you must check them at the door and accept the bar for what it is, which is true of Sherry wines, too. And then, well, it is a complete pleasure. Sherry really isn’t like anything else you will ever drink and La Venencia is just the same.

I have seldom been anywhere that was so totally itself and I will always associate that strong impression with the dry Manzanilla Sherry wines we enjoyed at La Venecia.osborne

A Little Help from our Friends

We got a little help from friends at Osborne and Gonzalez Byass wineries in our quest to learn more about Sherry. Santiago Salinas arranged for a tasting of Rare Old Sherries when we visited Osborne’s Montecilla winery in Rioja. These were wines for philosophers and poets. It is stunning to discover what great Sherries can become with time. We were inspired by Santiago’s passion for the wines and, of course, by the wines themselves.

Our visit to Finca Constancia near Toledo was organized around a rather extravagant seminar and tasting of Gonzalez Byass wines ranging from their signature Fino, Tio Pepe, on to a special Tio Pepe en rama bottling, and then carefully and thoroughly all the way through the line-up to the sweet, concentrated Pedro Xeménez.

Marina Garcia, our guide on this Sherry tour, was not afraid to draw out the complexities of the wines, which is great. As I told my audience at the General Assembly, sometimes complicated things need to be understood in complicated ways. Our favorite? We discovered the Palo Cortado Sherry style and it made us think. I love it when a wine does that.

Sherry doesn’t have to complicated … or sweet either, for that matter, although many people put the wines in that category. A chilled bottle of very dry fino or Manzanilla is pretty pure pleasure and will change many minds. But you’ve got to try it yourself to be persuaded and that’s a  challenge.constancia

Sherry’s Moment?

If you look at the fundamentals, it is easy to conclude that this could be Sherry’s moment. The wines are great and well-priced. They come in a range of styles that variously make great aperitifs, pair well with food, or help unleash that inner poet. Apparently Sherry works really well as a cocktail base, too. Gotta check that out.

Tourism in Spain is on the rise and Spain’s tapas culture cuisine, which matches up so well with dry Sherry, is increasingly popular. Sherry, as much as any wine I know, is a product of time and place, and wears its authenticity proudly.  Authentic, affordable, food-friendly. Aren’t these the things that wine drinkers are looking for today?

Sherry’s burden is its reputation as that sweet old wine that grandma drinks. There is so much more to Sherry for those who pull the cork. If enough curious wine drinkers pull enough corks, perhaps Sherry’s “Next Big Thing” potential can be realized!

Is Sherry going to be the next big thing? Probably not. But it doesn’t have to be. It is a timeless wine waiting to be re-discovered by a new generation of wine drinkers.

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Thanks to everyone who helped us with our Sherry research. Special thanks to Susana, Mauricio, Marina, Santiago, George, Cesar, Greg, Harry, Jensen, Gabriel, and José. Thanks to Sue for these photos of the big Tio Pepe sign in Madrid’s Puerta del Sol, the menu at The Sherry Corner, the rare old Osborne Sherries, and the many hues of the Gonzalez Byass Sherry wines.

Wine Books: 20 years of Chateau Feely, 30 Years of Gourmand Book Awards

Today’s column celebrates two anniversaries: 20 years of Chateau Feely and 30 years of the Gourmand  Awards. What connects these two events? Wine books, of course, and the stories they tell us about wine and about life.

Grape Expectations: 20 Years of Chateau Feely

Caro Feely, Grape Expectations: A Family’s Vineyard Adventure in France. (First book in the Vineyard Series of books about Chateau Feely).

This is the 20th anniversary of Chateau Feely, a small organic and biodynamic winery in South West France. Caro Feely writes that

“We bought our vineyard in South West France in 2005 following our dream to create great wines on fine terroir. Now, with the wisdom of many years of winegrowing we celebrate not a misty dream but years of hard work and the inspiration of working with nature and nurturing this farm back to the full health and flavour of a living biodynamic soil. In our risky endeavour we have felt a lot: sometimes fear, sometimes pain but mostly great joy and fulfillment.”

I haven’t visited Chateau Feely, but like many people, I have shared the Feely family’s journey through Caro’s four Vineyard Series books, starting with Grape Expectations, and progressing through Saving Our Skins, Vineyard Confessions, and Cultivating Change. When Grape Expectations first appeared I wrote that

Caro Feely is an economist and a dreamer and so there was bound to be a bit of cognitive dissonance when she and her husband Sean and their two daughters pulled up stakes in Dublin and moved to Saussignac to grow grapes, make wine, and live the dream instead of just dreaming it.

Cognitive dissonance? Yes, that’s the stress that you feel when you try to believe two contradictory things at the same time and there cannot be two thoughts that are much more in contradiction than the idea of taking over a dilapidated house and run down vineyard and cellar and making great wine and the notion that you will be able to pay the bills and support a family in the process.

I’m not quite sure if Feely’s 2012 book Grape Expectations was written as a creative outlet, a cheap form of therapy or to generate an additional revenue stream, but it is a delightful book that I recommend to all my friends. Feely tells her family’s story and the book could be placed on a shelf along with Under the Tuscan Sun or A Year in Provence because of its ability to give all of us a peek at expat daily life in a suitably romantic setting,

But while there’s enough romance in Feely’s book to make it attractive to someone looking for an escape, it is the reality of her situation that appeals most to me. Besides telling a good story about her family’s experiences, she also teaches us a great deal about the arts and craft of winegrowing and the economics of the wine business, with its peculiar challenges and opportunities.

Grape Expectations is one of my favorite wine books because it weaves all the natural, technical, social, business, and personal elements of wine into a compelling (and true!) story. The four volumes of Feely’s Vineyard Series provide a rare opportunity to experience the hardships and triumphs of winegrowing from the relative comfort of your armchair. Highly recommended.

30 Years of the Gourmand Awards

Edouard Cointreau founded the Gourmand World Cookbook Awards in 1995. Over the last 30 years they have expanded in several dimensions snf now seek to honor the best food, wine, and drinks books, printed or digital, as well as food television.

It is truly a global celebration. More than 221 countries have been represented, which is more than the United Nations (193 member states) and the same as FIFA, the world soccer governing body (221 member associations).

Edouard writes, “We reward now all food and drinks content, in print or digital, paid or free, private or public, trade publishers or self published, big or small, with an equal chance for everyone.”

The 30th anniversary celebration takes place from June 18-22, 2025, at the historic Palace of Marques de Pombal in Oeiras, Portugal. It should be quite a party!

Gourmand is inspired by the Olympics. Wine and food books are organized by nation of origin and earn the equivalents of bronze, silver, and gold awards. Edouard reports that “For the past 30 years, we have rewarded the best drinks books. Wine books 59%, spirits 24% beer 6%, coffee 5%, tea 3%, others 3%. English 37%, French 22%, Spanish 12%, others 29%.” There has been a gradual decline in wine books over the years, he notes, as interest in other beverages has increased.

The decrease in wine books is notable in the U.S. and U.K., but interest is stronger in Italy, Spain, Portugal, and Brazil. It is an interesting coincidence that an excellent Portuguese translation of one of my books was recently published in Brazil and that my colleagues Cynthia Howson and Pierre Ly recently published a Spanish translation of their book about adventures on the wine trail in China.

Edouard breaks down the awards by the numbers:

  • We have over 220 countries and regions participating every year since 2019.  Founded 30 years ago, in 1995, it took us 12 years to reach 100 participating countries, 20 years to reach 200. Our number of countries and regions is slightly higher than the Olympics, because everyone eats, and not everyone can afford to have a sports team. The maximum number is around 250. There are 193 countries in the United Nations.
  • We now have a balance of origins for participating books between continents. North America plus Western Europe are equal to Asia-Pacific, Africa, Latin America. By languages, participating books are in English 41%, French 12%, Spanish 12%, other languages 36%.
  •  Traditional trade publishers have decreased to 70%, with independently published rising to 20% and corporations a surprising 10%.
  •  Internet now has quality food and drink books available free for downloads. They are screened by the Gourmand Awards for the best since 2016. They have their own separate parallel categories in the Gourmand Awards.
  • Today the top free publications are published 66% by public institutions, 19% by NGOs, and 15% by private interests.
  • United Nations and other big international organizations such as FAO, WFP, UNESCO, EU, CIRAD, OIV, have many food or drink publications, while local, or regional governments issue a large quantity of single titles more difficult to find.
  • For 20 years, women authors of food books have been stable over 60%,with men authors under 40%. It is the opposite for drink books, with men authors slowly decreasing at 75%, women rising at 25%.
  • For drinks books, on our lists, wine books are decreasing, now at 59%. All other drink books are up, with alcohol spirits books at 24%, beer at 6%, coffee at 5%, tea at 3%, others at 3%.
  • Food and drink culture is becoming global. It is not polarized. It is a gigantic puzzle where each piece is important and has its part.

Congratulations to this year’s winners. And thanks to Edouard Cointreau for three decades of hard work promoting wine books and supporting publishers and authors (like me).

Wine Goes to the Circus: Stags’ Leap Winery & Cirque du Soleil


New consumers and new occasions are on every winery’s wish list these days. You can sit around and wait for things to happen or you can go out and try to help people discover wine and find a reason to drink it. You might not think that a circus performance is the obvious occasion for a glass of wine (or that the families that attend such events are obvious potential customers), but old thinking won’t necessarily solve the problem.

That’s how Sue and I ended up at a performance of Cirque du Soleil’s  KOOZA traveling show enjoying Chardonnay and Cabernet Sauvignon from Napa Valley’s Stags’ Leap Winery, the show’s official wine  partner.

Follow the Crowds?

Whoever said the only places to enjoy a glass of wine are the restaurants, bars, and your dinner table at home? Wine should go where people go. Follow the money, Deep Throat said. Follow the crowds is good wine advice today. And pour them a glass of wine.

And so wine has slowly and now suddenly started to appear in places you might not expect, including sports events and entertainment venues of all sorts, including Cirque du Soleil.

I know that wine is no stranger at sports competitions from watching Formula 1 auto racing over the years. Ferrari Trento has been the official podium sparkling wine sponsor for several years, for example, before being replaced by LVMH’s Moët & Chandon last year. But is F1 and wine an isolated case?

AI Intern Report

I asked my artificial intelligence intern if wine and sports linkups were very common and it quickly came up with an interesting list, starting with the partnership between Concha y Toro’s Cassillero del Diablo brand and the Manchester United Football Club (a.k.a. the Red Devils). United is having a poor season, so stadium fans may especially appreciate a glass of Chilean red.

Australia’s Hardy’s wine brand sponsors English Cricket, my intern noted, a relationship that might get awkward during The Ashes test matches. And Trivento is the official wine sponsor of English Premiership Rugby. Wine and sports seem to be a perfect pairing in Britain.

So it is obvious that many international wineries already see sports as a way to connect with sports fans around the world. What about U.S. wineries? Well, yes, my AI intern, replied. U.S. wineries are quite active in this arena and the connection is not as contrived as you might think. Many famous NBA and NFL players are known wine lovers, for example. Some even have their own wine brands.  Examples  of American wine and sports connections? My intern reports …

  • Jackson Family Wines has partnered with the National Basketball Association (NBA) and the Women’s National Basketball Association (WNBA).
  • Copper Cane Wines & Spirits: Partnered with five Major League Baseball teams, including the New York Mets, Boston Red Sox, Texas Rangers, San Diego Padres, and Atlanta Braves. Copper Cane is also linked to several National Hockey League teams.
  • Gallo is the official wine partner of the National Football League.
  • Argentina’s Trivento is the wine partner of Major League Soccer.
  • Nobilo Winery: Official wine sponsor of the U.S. National Pickleball Club.

Wine Goes to the Circus

Stags’ Leap Winery, part of Treasury Wine Estates’ California winery collection, is official sponsor of Cirque du Soleil’s “big top” shows all over the world. Clearly Cirque du Soleil benefits from its association with a famous wine brand. And wine in general and Stags’ Leap Winery in particular benefit from the opportunity for face time (and lip time) with an audience that comes to be surprised, amazed, and delighted. That’s how people think of Cirque du Soleil and that’s how we’d like them to think about wine, don’t you think?

Sue and I were particularly pleased to receive an invitation to attend a performance of KOOZA under the big top in Redmond, Washington (we were Stags’ Leap Winery’s guests ) because we remember the program’s creator, David Shiner, so well from his Seattle theater days.  He worked with fellow clown Bill Irwin on the Tony-winning “Fool Moon.”

We had a wonderful time. We were surprised, amazed, and delighted by the show and very happy both to sip our Cabernet Sauvignon and to watch other audience members enjoying perhaps their first taste of “circus wine.”  The wine-circus partnership impressed us as subtle and classy, as you might expect. Circus goers were no doubt surprised to have the opportunity to enjoy such high-quality wines at an entertainment event.

We had high hopes for this partnership and the experience exceeded our expectations. Cirque du Soleil provides a first-class experience from start to finish; partnering with a first-class wine brand makes sense for both parties. We came away with even better feelings toward both Cirque du Soleil and Stags’ Leap Winery. Can’t wait for the circus (and the circus wine) be come back to town.

Wine Film Review: Eden (and its discontents)

Eden. Christopher McGilvray, director. Isiah Flores, cinematographer. View the trailer here.

Here’s the thing about wine. Geeky people like me spend a lot of time (and money) learning about it, thinking about it, talking about it, and even drinking it. But the point of wine isn’t wine. It is something more.

Sue and I are reminded of this every year when we host a group of friends for Open That Bottle Night. Everyone brings a bottle of wine, a story about the wine, and some food. We celebrate the wines and enjoy the food and stories, but we learned early on that the wines aren’t the point: It is the sharing that is the point and what we learn about ourselves and each other in the process.

This was especially obvious during the COVID pandemic when our celebration was shifted to Zoom. We were all a bit hesitant to log on because we couldn’t be together physically, eat the same foods, or taste the same wines. But, to our surprise, it was a remarkably satisfying experience because the power of sharing overwhelmed the physical barriers.

Some wine films disappoint because they don’t get past the first hurdle. They start and stop at wine. Sue and I joke about the many “four seasons in the vineyard” films we’ve seen. Beautiful. Empty.

Not (Just) Wine

But the best wine films understand. Take Sideways, for example. When Miles soliloquizes about wine — Pinot Noir, of course, and Merlot, too — he’s not really talking about wine. People, with their strengths and vulnerabilities, and relationships, good and bad. These are his concerns analyzed through the medium of fermented grape juice.

Eden, which premiered about this time last year. understands very well that wine is not just about wine. It began as a documentary about Mount Eden Vineyards, a historic winery high in the Santa Cruz Mountains overlooking Silicon Valley. The original idea was to film for a year and edit for a year, telling the story of the great wines and a unique winery. But then, gradually, I suspect, and then suddenly, the focus changed and it became about the people more than the wine. And because time changes things, the people began to change, too, and so the story evolved.

Seven-Year Itch

And so, the two-year project stretched to seven years. Seven years! As a result, a few times during the film it was difficult to figure out where in the chronology we were. The film is beautiful, of course, and it tells an engaging story. But it’s not (just) about the vineyards and the wines.

What is the story? The easy way to explain is that it is about the complexities and difficulties of generational transition. What happens when the generation that built a winery and created a legacy wants to pass it along to the next generation? This is an important problem in the world of wine because there are many wineries these days struggling to figure out the transition.

Sometimes, the older generation needs to hand off to the next but just can’t or won’t let go. In other cases, the younger generation has their own dreams to follow and is not interested in inherited legacies.

Not My Eden

You know the problem. It may be Eden to you, but it’s not my Eden. The fact that the wine business has hit a rough patch just now makes everything more complicated.

Eden thoughtfully probes the evolution of the behind-the-scenes family dynamics at Eden Mountain Vineyards, making it an unexpectedly personal and revealing film. Just as the story seems to be gliding toward a soft landing, a surprise twist shakes things up. The tensions are not resolved after all and we are left to wonder what we think we’ve learned and what we think we know. I won’t be a spoiler here. You’ll need to view the film (widely available on streaming services) to see what I mean.

Some wines are meant to be gulped down and others — I call them “philosophers’ wines” — invite contemplation or introspection. Eden is the wine film for you when you are willing to channel your inner philosopher.

The Three Faces of the American Wine Dilemma

We live in a time when problems we face are complicated but many of the answers proposed to address them are very simple.  I am suspicious of simple answers to complicated questions, both in general (this was the theme of my 2005 book Globaloney) and when it comes to the American wine industry.

Draining America’s Wine Lake

Wine Economist readers already know about the American wine industry’s general over-supply problem.  Despite several short harvests in a row in California, wine inventories remain very high and prices are falling. As Jeff Bitter pointed out at the Unified Wine & Grape Symposium last month, many thousands of acres of wine grape vines have been removed and more grubbing up is necessary before supply has been downsized to balance with demand. Similar adjustments are taking place throughout the world of wine.

I was interested to learn from Jeff that California’s Central Valley is perhaps closer to equilibrium than, say, the Central Coast. This is in part because growers in the valley can more effectively switch to alternative crops, which cushions the blow of vine removal. Indeed, many large growers already farm multiple types of crops, so the switch is a change of ratio and proportion, not a move into a new line of business.

Some growers would like to “furlough” their vineyards, to pause production until the market has stabilized. But, at least in some areas, this is made difficult because of water use regulations. Water rights can be withdrawn if the land is not actively farmed for several years. So in some areas, where alternative crops are not feasible and water rights are tightly controlled, vineyard removals or furloughs are hard to manage. No wonder there are reports of some vineyards simply abandoned! (I have also heard of one vineyard that was offered at a zero-dollar lease to anyone who would keep production going and, therefore, keep water rights safe.)

Unemployment: Cyclical, Structural, Frictional

The wine market situation is complicated in other ways, too. Both Glenn Proctor and Danny Brager talked about the problem at the Unified in terms of structural versus cyclical adjustments and this got me to thinking about the way economists explain unemployment as the interaction of three forces. I will explain briefly since I think these concepts apply to wine, too.

Cyclical unemployment is caused by cycles in the economy. Workers lose their jobs as firms scale back during a recession, for example, and gain them back (or get other jobs) when economic growth returns. Macroeconomic stimulus (tax cuts, interest rate reductions) are tools of choice to address cyclical unemployment.

Structural unemployment is joblessness due to changes in the essential structure of the economy. Changing patterns of trade, environmental shifts, and technological change are some of the causes of structural unemployment. Some newspaper employees, for example, suffer structural unemployment as demand shifts from physical to digital platforms for information, entertainment, and advertising. One of the concerns about artificial intelligence technology is that it might contribute to structural unemployment.

It is significant that policies designed to address cyclical unemployment such as interest rate cuts will do little to correct (and could even accelerate) structural unemployment problems.

Finally there is frictional unemployment, which is joblessness caused by inefficiencies in the labor market, as happens when there are jobs available in one city and jobless workers in another city, but information inefficiencies, high transaction costs, and other barriers prevent them from productive connection. The current housing market, with higher mortgage interest rates and historically high prices, is one source of frictional unemployment, for example. Job market policies tailored to either address cyclical or structural unemployment problems may have little impact on frictional unemployment. There aren’t many easy answers to complicated questions.

The American Wine Dilemma

These concepts apply to the wine industry in America and other countries today. The wine market has long been subject to medium-term (7- to 10-year) cycles, for example, although “wild card” events such as the COVID pandemic have distorted the pattern. Some wine industry folks have never seen the bottom of the wine cycle before. The fact that the previous “boom” part of the cycle was characterized by a ratchet-up of wine prices (premiumization) makes the down cycle more difficult to predict.

There are also structural changes at work. Demographic transition (baby boomer rise and fall) is part of the situation, but so is the structural shift in attitudes and behavior towards beverage alcohol generally.  There also seems to be a structural shift in consumer preferences away from red wines toward white wines. It is hard to predict how and when these structural forces might run their course and when or whether they might reverse.

Finally, there are frictional concerns that take many forms around the world, but here in the United States are perhaps most apparent in wine distribution and retailing. Wine distribution pipelines have narrowed in recent years. I have written that every industry organizes itself around its most important inefficiency (or “bottleneck,” if you know what I mean). Distribution is wine’s bottleneck, not growing grapes or making wine. The fact that this bottleneck has narrowed is significant and could well reshape the industry broadly.

The Age of Uncertainty

If you are looking for a simple answer to the dilemma of American wine, you are not going to find it here. The point, as stated above, is that complicated questions seldom have simple answers. Complexity leads to uncertainty because each of the cyclical, structural, and frictional forces is difficult to predict and their dynamic interaction is sometimes best modeled by chaos theory

So, as I wrote here a few weeks ago, we have entered the Age of Uncertainty. In economics, uncertainty equals risk and risk discourages investment, innovation, and growth. Not what the wine industry needs at this moment. But understanding uncertainty and risk is better than charging ahead in ignorance.

The Wine Economist 1000

The Wine Economist first appeared on May 29, 2007, with a report called “Bottling the 2005 at Fielding Hills Winery,” which compared the volunteer bottling line to Adam Smith’s famous pin factory. Incredibly, The Wine Economist is still publishing its weekly newsletter after all these years and last week’s post was the 1000th in the series.

The  Wine Economist has averaged about 1000 words per column or 50,000 words per year, which is roughly equivalent to about two full-length books every three years.

The book comparison is relevant because we have often used the weekly columns to work out ideas that eventually reappeared in the five wine business books that we have written over this time span.

The original idea was simply to take advantage of the blog format to work out ideas in public and get feedback from a broad group including consumers, industry professionals, and other academics. This worked better than I might have expected.

It would be fair to say that I didn’t know what I was doing when I started down this path. For example, I used to say that The Wine Economist wasn’t a blog because its articles are too long and it only appears about once a week. Hardly what you’d expect from a traditional web-log (a.k.a. blog). But then it received the Gourmand International award for Best Wine Blog, so I guess that is what it is.

In the same way, I used to say that I am not a wine writer, just an economist who writes about the wine business. But then one of my books received the Gourmand international award for Best Wine Writing.  I don’t know what to say.

Looking ahead, there is a lot of work left to be done and Sue and I are looking forward to more adventures and the opportunity to meet and get to know interesting people. The wine world is always growing, shifting, changing. We are excited to see where the next 100, 500, or maybe 1000 Wine Economist articles take us.

Cheers to our readers. And thanks!

American Wine 2025: Field Notes from the Unified Symposium

Sue and I recently attended the Unified Wine & Grape Symposium in Sacramento, California, North America’s largest wine industry gathering. Attendance was about 10,000 for the meetings, seminars, and the massive trade show. The event is simply too big to summarize, so we jotted down field notes instead to give you a sense of the action. Here, in no particular order, are some of our observations.

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Wine industry trends. White is the new red. Stable sales are the new growth. Wine sales are down in terms of both volume and value. The number of wineries in the U.S. actually fell. Most of the decrease was in the category of “virtual wineries,” which sell wine that is actually made by other companies under contract (a surprisingly common practice).

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Tough times for the nurseries that supply grape plants. One vendor said that if the best year was 100, the current status is about 20. Vineyard acreage in California and elsewhere continues to fall with more removals to come.  This is part of a global trend.

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The luncheon speaker was Alecia Moore, better known by her professional name Pink (later that week she performed along with other artists including Stevie Wonder, Billie Eilish, Lady Gaga, and others at the FireAid benefit concert).  What’s her wine connection? As she put it, she is a “celebrity winemaker,” but not a marketing play as is sometimes the case. Her Two Wolves vineyard and winery in Santa Barbara County is a serious operation and significant commitment. Many in the audience were inspired by her story and obvious enthusiasm.

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Heard on the floor of the trade show from a first-timer: “How do you take it all in? There’s so much!” Answer: A piece at a time.

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The Unified is an opportunity for those in the wine industry to meet with friends and colleagues. Lots of hugging, hand-shaking, back-slapping, high-fiving. Wine is a people business and this is the place to make and maintain personal and business relationships.

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Bottle weight. Producers are opting for lower-weight bottles, and looking to source them domestically. Shipping costs and schedules — and their uncertainties —  are big factors. Heavier bottles are harder to move around. So, shipping and schlepping. Some producers are opting for lighter-weight bottles to maintain a price point. Question: Do consumers (still) think that bottle weight indicates wine quality?

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Multilingual wine. The Unified is designed for the California wine industry, but it is an international event. Languages heard: American English, Canadian English, Australian English, British English, Spanish, Italian, French. No doubt there were even more. There are several Spanish-language sessions.

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The locavore paradox. Many restaurants highlight their locavore credentials. Farm to table. Locally sourced meat and produce. Think global, eat local. But how many feature local wines? Aren’t wines the ultimate product of place? Shouldn’t they have a place on the locavore table?

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There is not much wine actually consumed during the day at the Unified (the nights are a different matter) because it is a business meeting and trade fair, not a consumer-tasting event. We had wine at the keynote luncheon and there were  tastings sponsored by regional wine associations on the trade show floor on Wednesday afternoon. This year we focused on New Mexico’s wine industry, which is celebrating its tradition of fine sparkling wines by hosting the first Global Sparkling Wine Summit this summer. Great wine. Learned a lot.

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Sauvignon Blanc. Each year the organizers choose a particular wine grape variety to showcase and this time around it was Sauvignon Blanc. Aromatic white wines are popular right now and Sauvignon Blanc is doing well. The audience heard from several winemakers and tasted wines from California and Washington State.

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Sue never gets tired of walking the trade show floor. So many interesting people, products, and services. It is the American wine industry, deconstructed, and brought together in one very large room.

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New York Times wine critic Eric Asimov moderated a session on the challenge of telling wine’s story in the context of strong headwinds such as the WHO’s finding that no level of alcohol consumption is safe. But is this a challenge or an opportunity? Maybe the wine industry needed a nudge to get its act together and make the case for wine and not just individual wine brands or regions.

Cru Cerrati and Ruchè: Piemonte Wine’s Past, Present, & Future

What do you remember about the hit 1985 film “Back to the Future”? Doc? Marty? The “Chuck Berry” scene? How could you forget that time-traveling DeLorean sports car?

I don’t know if anyone thinks much about the film’s deeper messages anymore, but the idea that the future is somehow buried in the past is a theme that has long been of interest. It shows up in wine in various guises. Here are two “Back to the Future” stories from the Piemonte region of Northern Italy.

The Return of Cerrati in the Land of Barolo

The Rossi Cairo family has been making wine, especially Gavi DOCG,  at their biodynamic farm, La Raia, since 2002. They began a “Back to the Future” journey in 2015 when they expanded their vision to Tenuta Cucco in the prime Serralunga region where the Nebbiolo grape and Barolo wine are firmly rooted.

Tenuta Cucco presented the Rossi Cairo family an opportunity and a challenge in the form of the Cerrati vineyard. Cru Cerrati was well known and respected in the past, receiving special note in Renato Ratti’s Map of Barolo in 1971, for example, and even in the 1990 Slow Food wine atlas of the Langhe, but its glory faded over the years until Piero Rossi Cairo, working with La Raia winemaker Clara Milani, determined to convert the project to organic viticulture and to revive the vineyard and the reputation of the Cerrati zone.

Sue and I enjoyed the opportunity to taste the wines and participate in a Zoom call with Piero Rossi Cairo and Clara Milani. About 80 percent of Tenuta Cucco’s production is exported; the United States is the biggest single market.

The two estate vineyards total about 20 hectares and total production is about 70,000 bottles (6000 cases) each year including  white wines (Chardonnay), a traditional method sparkling Pinot Nero, Rosé, and, of course, the reds. The Barolo DOCG Serralunga d’Alba, a blend of grapes from the two vineyards, is the main focus with production of 25,000 to 40,000  bottles depending on the year. Only about 2400 bottles of single-vineyard Barolo wines from Cerrati and Bricco Voghera are produced each  year. And 5000 to 8000 bottles of a fresh and fruity Langhe DOCG Nebbiolo are made.

The “no wood” Langhe Nebbiolo was simply delicious, with beautiful color, light body, soft tannins, intense aroma, and complex fruit flavors. If you are looking for a “Baby Barolo,” this isn’t it. But who wouldn’t enjoy a wine like this with cheese and salami or a light pasta? And the Serralunga d’Alba was delicious, too, a great culinary wine because of its medium body and nice acidity. The single-vineyard products are philosopher wines, to be appreciated at a relaxed pace. We haven’t decided which one we like best, but are very much enjoying the opportunity to study them.

Ruchè Renaissance

Wines made from the Ruchè grape variety are full of contradictions. Wine Grapes tells us that “Varietal wines tend to be headily scented, often with aromas of roses. They can be spicy and the tannins so marked that the wines can sometimes leave a bitter aftertaste.”  Roses, spicy, bitter — not something you find every day.

Sue and I first stumbled on Ruchè back in 2011 when we attended a food and wine festival in Moncalvo, near Asti. As I wrote then, “I had never heard of Ruchè and honestly didn’t know what it might be until I happened upon the stand of the Castagnole Monferrato group. They were cooking with Ruchè, marinating fruit in Ruchè and selling it by the glass — they were obviously very proud of their local wine. I had to try it and it was great. Suddenly I saw Ruchè everywhere (a common experience with a new discovery) and enjoyed a bottle at dinner in Asti that  night.”

Ruchè very nearly disappeared at one point as attention focused on market-friendly grapes such as Barbera and Nebbiolo. As Ian D’Agata explains in the chapter on Ruchè  Italy’s Native Wine Grape Terroirs, Don Giacomo Cauda, Castagnole Monferato’s town priest, was obsessed with Ruchè, studied it, collected specimens from scattered small plots,  and promoted Ruchè as the region’s signature wine. Ruchè di Castagnole Monferrato received DOC recognition in 1987 and was elevated to DOCG in 2010, putting it up among the elite of the Italian wine world. A long climb from near-extinction to the summit in just 50 years.

But DOCG recognition does not automatically translate into sales. Almost everyone around Castagnole Monferrato probably drinks Ruché, but almost no one does anywhere else. Selling an unfamiliar wine like Ruché requires creativity and determination. So we were intrigued to learn that a local importer, Mallard Libations in Woodinville, Washington) has taken up the challenge so that those who know Ruché  will have an opportunity to enjoy it and hopefully help spread the word.

We’ve started our new Ruchè research with the Ferraris Agricola Ruchè di Castagnoble Monferrato Riserva DOCG, which featured medium body, a memorable nose, and more depth than I remember from the wines we enjoyed in Italy. This single-vineyard wine deserves its “Riserva” designation. It is one of five different Ruchè wines that Ferraris produces. We are especially looking forward to trying the flagship Opera Prima Riserva.

Ferraris Agricola takes Ruchè and its history very seriously. Luca Ferraris, a.k.a. “Mr. Ruchè,” has created a Ruchè Museum that chronicles Ruchè’s history and celebrates its rebirth. We have added it to our “must-see” list for our next trip to Piemonte.

Discovering new wines or wine regions is always interesting. Re-discovering (and perhaps even rescuing) over-looked wines and regions is even more satisfying. Innovation, we are told, is especially important in today’s wine market environment. Back to the future can be part of that process.

Non-Alcoholic Wine: Three Questions

Sue and I continue exploring the world of non-alcoholic (or alcohol-removed) wines. NA wine is one of the few growing categories of wine (if it is wine — see below), so it makes sense to see what’s going on. That’s especially true since NA beer and spirits are booming, too. Here is our report, which examines NA wine from three perspectives.

On Trade: What Does an NA Wine Bar Look Like?

It has become easy to order non-alcoholic beer at a bar or restaurant — there is almost always at least one NA beer option available — and NA cocktails (a.k.a. mocktails) are ubiquitous. But NA wine remains hard to find (at least for us) in on-trade settings. I wonder what an NA wine bar would look like and who would go there?

I stumbled on the answer to this question a few weeks ago when I was researching French Bloom, the upscale line of NA wines that caught the eye of  LVMH, the French luxury conglomerate. French Bloom is in limited distribution at this stage and the website features a map of the world to guide you to on- and off-trade points of sale. I was surprised to discover that one of the relatively few U.S. sellers was just a few miles from The Wine Economist world headquarters in Tacoma, Washington.

Soulberry Coffee House and Dry Speakeasy is located about mid-way between the University of Washington/Tacoma campus and the Tacoma Dome district. It is a warm, inviting space that sort of reminds me of a cross between the family pubs that we knew when we lived in England and the original Starbucks concept of the “third space” that’s neither home nor workplace.  Soulberry bills itself as an “all-ages after-hours safe space” and that seems pretty accurate.

Soulberry’s owner, Terri Quintana-Jessen, says that she’s a coffee roaster, but Sue and I quickly noticed how much she talked about community and relationships. Coffee brings people together, which must be one of the reasons she is so interested in it. Wine brings people together, too, but alcohol can keep people apart.

Because NA wine is NA, selling and serving it doesn’t come with the burdens and regulations that must be considered for alcoholic beverages. Terri studied up on NA wine, spirits, and beer, and soon her coffee shop was also a bottle shop and “dry speakeasy” featuring a rotating selection of almost 40 NA cocktails. The French Bloom is popular as the base for Sunday mimosas and NA French 75s.

Soulberry is not alone. Dry wine and spirits bars and popping up much as natural wine bars did a few years ago. Is there a NA wine bar in your town? Maybe there is and, like me, you just didn’t know it.

Is NA Wine Really Wine?

Is non-alcoholic wine really wine? I know from previous columns that many readers believe that wine isn’t wine without alcohol. Studies have even shown that some consumers base their buying decisions on the amount of alcohol they can get for their money (more is better!). It is certainly the case that fermentation (which produces alcohol) is necessary for the transformation of juice into wine. But, once alcohol is removed, is the resulting product still wine?

Although opinions may vary, the use of the term “wine” is defined by regulations and therefore differs in different jurisdictions. Some producers are keen to call their NA products wine because they see a market opportunity. With sales of full-strength stagnant or falling, it makes sense to go after a share of the growing NA beverage market. But other producers think it important to defend the term “wine” from being debased or diluted, which might be a slippery slope.

It is interesting to observe the evolution of this debate in Italy, where it has been illegal to affix the name “wine” to anything with less than 8 percent abv. As Wein.plus reported a few weeks ago, The Italian Ministry of Agriculture has recently revised its regulations to allow de-alcoholized wines to use the term “wine,” but not for wines with protected designations. So you can have NA red wine from Tuscany, but not NA Chianti because Chianti is a protected appellation. This explains why the NA Mionetto wine that we found at Total Wine was labeled “sparkling non-alcoholic wine” and not “NA Prosecco.” Of course, the Mionetto brand is so closely connected to Prosecco that a mental association is almost impossible to avoid.

Before the new ruling, Italian winemakers could only call their NA products wine for export purposes. The use of “wine” was reserved for alcoholic wine at home. NA wine regulations are evolving with different interests pushing to liberalize the rules and others pushing back. But the question — is it really wine? — is ultimately up to you to decide.

That said, the OIV recently highlighted its work on dealcoholization of wine, which dates back to a 2012 resolution. The January 8, 2025, press release explains that,

Adopted in 2012 at the 35th World Congress of Vine and Wine in Izmir, Türkiye, OIV-OENO 394A-2012 “Dealcoholisation of wines” includes prescriptions to obtain vitivinicultural products with a reduced or low alcohol content through partial vacuum evaporation, membrane techniques, and distillation. It also specifies that this process must not be used on wines with any organoleptic defects and must be overseen by an oenologist or specialized technician.

The OIV’s framework for wine dealcoholisation provides producers with tools to innovate while navigating technical and market complexities. This progression supports the industry’s goal of quality and authenticity in a changing consumer landscape.

Can NA Wine Pass the “Second Glass Test”?

Sue and I have been trying NA wines and putting them to the “Second Glass Test.” We ask that NA wines (1) remind us of the wines that they represent and (2) be tasty enough that we would welcome a second glass. Our early research was full of failures. Either the wines didn’t remind us of the alcoholic version or they just weren’t to our taste. Often they were flat, lacking the fruit or aroma that were lost in the de-alcoholization process.

That Mionetto sparkler mentioned above did pretty well in the “Second Glass Test,” for example. It reminded us of Prosecco in a general way (could have done with a little more fruit and acidity), but was very nice to drink and was priced in the general range of Mionetto’s regular sparkling wines. We finished the bottle over dinner. The bubbles in NA sparkling wine come from carbonation, not the fermentation process, and in general we’ve found them to be more successful than still NA wines.

Recently Sue and I have been testing NA wines from Chavin Zéro, a French winery that has been in this business since 2010. The wines are being introduced in the U.S. market now by importer Kobrand. These NA wines were created to solve the same problem as French Bloom: what’s a wine lover to drink when she’s pregnant?

Pierre Chavin makes wines in France including a line of NA wines called Chavin Zèro. We focused on two still wines from Chavin Zéro, a Rosé and a Sauvignon Blanc. The Sauvignon Blanc came first and Sue declared it to be probably the best NA still wine we’ve tried so far even though it didn’t line up with our idea of Sauvignon Blanc. (To be fair, there is no universal definition of how a Sauvignon Blanc should taste and smell.) But it was very nice to drink and had better than average fruit and mouthfeel, probably because it contains 12 percent grape juice (concentrated grape must). We’ll add it to our list.

We were intrigued by the very pale pink Chavin Zèro Rosé, which features both an attractive bottle and an interesting blend of Cinsault, Syrah, and Grenache grapes. It was probably the most interesting and confusing wine we have tried so far. It was tasty for sure — no problem with the second glass. And it had the aromas, fruit, and mouthfeel that we have been looking for but seldom finding. But it didn’t taste like any Rosé we’ve ever had. The winery’s tasting note said to expect aromas of yellow fruit and white flowers. You don’t see “yellow fruit” very often in wine descriptions. Maybe the flavor was yellow plum? We couldn’t decide. Sue said it was more like wine, and likely was the best in terms of providing the complete package, but it didn’t remind us of Rosé or any other particular wine.

20 Years Behind Beer?

We finally opened the bottle of French Bloom sparkling wine that we bought at the Soulberry bottle shop. As we reported a few weeks ago, this wine has received a lot of press because of a connection to the Taittinger Champagne family and a highly-publicized recent investment by the LVMH wine, spirits, and luxury brands group. Terri at Soulberry said that her customers gave it high marks.

We shared our bottle of the sparkling blend of Chardonnay and a bit of Pinot Noir with two winemaker friends. Sue and I found the French Bloom to be dry and drinkable, but lacking some of the body, fruit, and aroma that we look for but often fail to find in NA wines. It would be a good base for the kinds of NA wine cocktails that Soulberrry serves.

I think we would have been more impressed by French Bloom when we started our research, but now we expect more, especially for the premium $40-plus price.

The NA wine, beer, and spirits category is growing (see graph), albeit from a low base, and there is a lot of research going on. A recent Economist article charts the market changes and suggests that, while NA wine might be 20 years behind the much more successful NA beer category, it might not take 20 years for it to catch up. Fingers crossed that NA wine drinkers (and producers) will find their respective sweet spots soon.

2025: Wine & the Age of Uncertainty

The Unified Wine & Grape Symposium, North America’s largest wine industry meeting and trade show, is only a few weeks away. I will be in Sacramento to moderate the State of the Industry session, which features an impressive lineup of wine industry experts:

  • Jeff Bitter, Allied Grape Growers
  • Glenn Proctor, The Ciatti Company
  • Stephen Rannekleiv, Rabobank
  • Danny Brager, Brager Beverage Alcohol Consulting

The panelists have decades of experience in the wine industry, which informs their analysis of current problems and future prospects. It is a tremendous opportunity to hear what the experts are thinking now and to talk about it with the other attendees.

There are many other sessions at the Unified covering all sorts of topics in winegrowing, winemaking, marketing, and business operations. I am particularly interested in the Thursday general session on Crafting a Positive Narrative: Promoting Wine in the Face of Challenges, which will be moderated by New York Times wine critic Eric Asimov. One of the biggest challenges, of course, is the rising anti-alcohol movement. Telling wine’s positive story is as difficult as it is important in the current environment.

There is something for everyone at the Unified (click here to view the complete program and click here to read the speaker bios). Sue especially appreciates the big trade show where more than 900 exhibitors will highlight what’s new in the wine industry from the biggest machines, smartest technology, and best products and services from vineyard to cellar to bottling line all the way to market.

Always the Age of Uncertainty?

I always start the State of the Industry session with a few remarks to set the stage and this year I have chosen a theme, the Age of Uncertainty. This is a time of great change in the wine industry and change makes people nervous.

Age of Uncertainty? I know what you are thinking. It is always the Age of Uncertainty in the wine business. Growing grapes is risky, making wine is risky, and selling wine is risky. There is no part of the wine business that does not have an uncertain component. Wine is a global business, too, and while global markets create opportunities they also introduce additional layers of risk.

I specialize in international and global wine markets, so I am especially concerned with how international economic policies add more layers of uncertainty to wine business today. We have been told to expect high tariffs (on wine and just about everything else) in 2025. Depending upon how they are structured, and how our trading partners react to them, tariffs can have a number of direct and indirect effects.  There’s a lot at stake and the final outcome is difficult to predict.

Indeed, the International Monetary Fund recently identified the threat of tariffs as a major global economic concern. The possibility of tariffs has driven up long-term borrowing costs around the world, according to the IMF, which will release its new report on the global economy later this week.

And this week’s Economist newspaper highlights uncertainty about tariffs and other policies as a main cause of global instability.

It is easy to see why uncertainty has spread. Will Donald Trump deport millions of people? Nobody knows. But if he succeeds inflation could jump as employers lose workers. The story is similar for tariffs, which would also increase prices. At the same time, potential Chinese counter-measures in a trade war, such as a devaluation of the yuan, could prompt a global deflationary shock.

The rising perceived risk, according to the Economist, helps explain falling bond prices, rising mortgage interest rates, and many other current trends. They say that what you don’t know won’t hurt you, but uncertainty clearly has a cost.

Not by Wine Alone

I know many people who think a tariff on imported wine would benefit American growers and producers and others who strongly oppose the idea. But it is important to remember that we aren’t talking about tariffs just on wine. Although it is hard to know right now (that uncertainty thing), it looks like the new administration will impose tariffs on most imported products from many or most of our trading partners, with the highest tax rates on China, Mexico, and Canada, the countries with whom we trade the most.

Border taxes on such a long list of imports have different effects than a tax on a specific product category like wine. That’s part of the uncertainty problem. U.S. producers may gain from protection from imports but lose from higher costs for imported supplies, equipment, and technology. Labor costs, interest costs, and insurance costs would all likely be pushed higher by rising inflation.

And U.S. tariffs aren’t the end of the story. How will other countries react? Will European nations retaliate with tariffs on U.S. wine? Probably not. I think they’d focus on spirits, not wine. Would Canada target U.S. wine? Yes, I think they might and that’s a problem because Canada is a good market for U.S. wine exports.

The  Dollar Also Rises

President Trump favors a falling dollar value on foreign exchange markets because that would reinforce his trade policy by discouraging imports and promoting exports. But tariffs tend to push the dollar higher as we have seen since the election results were announced. The dollar’s value rises when it sounds like tariffs will be used as a blunt weapon to keep out imports. The dollar falls, however, when the rhetoric suggests tariffs as targeted strategic tools to gain specific concessions. Which way will tariff policy lean in 2025? I don’t know, do you?

How are tariffs and the dollar related? Here’s one way. Tariffs tend to increase inflation, which forces the Federal Reserve to keep interest rates higher than they otherwise would be. This attracts foreign capital that boosts the dollar’s value, making imports cheaper in dollar terms and U.S. exports less competitive abroad.

Immigrant policies are the third element of the Age of Uncertainty for wine in my analysis. It is too soon to know how border controls and deportations might affect labor both generally and in industries such as agriculture and construction that are most exposed. So wine’s Age of Uncertainty is a complicated matter.What’s the bottom line? I’m saving that for the State of the Industry session.

Galbraith’s Uncertainty Principle

Why did I choose this theme for my remarks? The idea was inspired by an old book that strikes me as still relevant today. The Age of Uncertainty is the title of a 1977 BBC/KCTS television series and an accompanying book by the distinguished Harvard economist John Kenneth Galbraith. The book and videos, which survey two hundred years of economic history and the history of economics, were timed to coincide with the 200th anniversary of Adam Smith’s Wealth of Nations.

People tend to remember Galbraith as the sophisticated author, public intellectual, and Harvard professor that he became, but his personal story is more complicated. He grew up on his family’s small Ontario farm and seemed set for a farming career, graduating from Ontario Agricultural College in 1931. But the 1930s were not the best of times for farming and Galbraith soon found himself doing PhD studies in agricultural economics at the University of California and then working for the U.S. federal government’s Agricultural Adjustment Agency (AAA) trying to prop up farm prices.

I don’t think that wine is mentioned even once in Galbraith’s book, but his agricultural background and experiences are easy to trace. The world has changed a lot in the almost 50 years since The Age of Uncertainty first appeared (and nearly 250 years since Wealth of Nations), but American winegrowers and agriculture generally can certainly relate to Galbraith’s story and the concerns he expressed in this book.