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Origin and history of impressionism

impressionism(n.)

1839 as a term in philosophy, from impression + -ism. With reference to the French art movement, 1879, often with initial capital, from impressionist. Extended 1880s to music (Debussy), literature, etc.

also from 1839

Entries linking to impressionism

impression(n.)

late 14c., impressioun, "mark produced by pressure," also "image produced in the mind or emotions by something external," from Old French impression "print, stamp; a pressing on the mind" (13c.), from Latin impressionem (nominative impressio) "a pressing into, onset, attack," figuratively "a perception, mental impression," literally "a pressing into," from imprimere "press into or upon" (see impress (v.1)).

The meaning "act or process of making a mark upon the surface by pressing" is from early 15c.. That of "copy made by pressure from type or an engraving" is from 1550s; that of "printing of a number of copies, aggregate of copies printed at one time" is from 1570s. The meaning "belief, vague notion" (as in under the impression) is attested by 1610s.

impressionist(adj., n.)

in reference to a style of painting aiming to represent overall impressions as they first strike the eye rather than exact details, 1876 (adjective and noun), from French, coined 1874 by French critic Louis Leroy ("école impressionniste") in a disparaging reference to Monet's sunset painting "Impression, Soleil Levant." Later extended to other arts.

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Fauvist
The movement was a reaction against impressionism, featuring vivid use of colors....
inexorable
"unyielding, unrelenting," 1550s, from French inexorable and directly from Latin inexorabilis "that cannot be moved by entreaty, unyielding," from in- "not, opposite of" (see in- (1)) + exorabilis "able to be entreated," from exorare "to prevail upon," from ex "out" (see ex-) + ō
excelsior
Latin excelsior "higher," comparative of excelsus (adj.) "high, elevated, lofty," past participle of excellere "to rise, surpass, be superior, be eminent," from ex "out from" (see ex-) + -cellere "rise high, tower," related to celsus "high, lofty, great," from PIE root *kel- (2)
testimony
c. 1400, "proof or demonstration of some fact, evidence, piece of evidence;" early 15c., "legal testimony, sworn statement of a witness," from Old North French testimonie (Old French testimoine 11c.), from Latin testimonium "evidence, proof, witness, attestation," from testis "a
onomatopoeia
"formation of words or names by imitation of natural sounds; the naming of something by a reproduction of the sound made by it or a sound associated with it," 1570s, from Late Latin onomatopoeia, from Greek onomatopoiia "the making of a name or word" (in imitation of a sound asso
beer
alcoholic drink made from grain (generally barley), infused with hops and boiled and fermented, Middle English ber, from Old English beor "strong drink, beer, mead," cognate with Old Frisian biar, Middle Dutch and Dutch bier, Old High German bior, German Bier; a West Germanic wor
escrow
1590s, in law, "a writing fully executed by the parties, but put into the custody of a third person to hold until the fulfilment of some condition, when it is to be delivered to the grantee;" from Anglo-French escrowe, from Old French escroe "scrap, small piece, rag, tatter, sing
protest
c. 1400, "avowal, pledge, solemn declaration," from Old French protest, from protester, from Latin protestari "declare publicly, testify, protest," from pro- "forth, before" (from PIE root *per- (1) "forward," hence "in front of, before") + testari "testify," from testis "witness
knockoff
also knock-off, "cheap imitation," 1966, from the verbal phrase knock off "do hastily" (1817), in reference to the casual way the things are made. The verbal phrase knock off is attested from 1640s as "desist, stop" (work, study, etc.), hence knockoff (n.) "act of leaving work" (
cameo
early 15c., kaadmaheu, camew, chamehieux and many other spellings (from early 13c. in Anglo-Latin), "engraving in relief upon a precious stone with two layers of colors" (such as onyx, agate, or shell) and done so as to utilize the effect of the colors, from Old French camaieu an

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