Jump to content

Hugh Harman

From Wikipedia, the free encyclopedia

Hugh Harman
Harman, c. 1923
Born(1903-08-31)August 31, 1903
Pagosa Springs, Colorado, U.S.
DiedNovember 25, 1982(1982-11-25) (aged 79)
Chatsworth, California, U.S.
OccupationAnimator
Years active1922–1963
Employer(s)Laugh-O-Gram Cartoons (1922)
Disney Brothers Cartoon Studio/Walt Disney Studio (1923–1928)
Winkler Pictures (1928–1929)
Harman-Ising (1929–1950s)
MGM (1938–1941)
Hugh Harman Productions (1941–1960s)
Walter Lantz Productions (1954)
Known forHarman-Ising Productions
Children1
FamilyFred Harman (brother)
Walker Harman (brother)
Signature

Hugh Harman (August 31, 1903 – November 25, 1982) was an American animator, film producer, and film director. A veteran of the early Walt Disney studio and a key figure in the Golden Age of American animation, Harman and his longtime collaborator Rudolf Ising founded Harman-Ising Pictures in 1929, through which they created the Looney Tunes and Merrie Melodies cartoon series and set the foundation for what would later become the Warner Bros. Cartoons studio.[1]

Moving the distribution of their cartoons to Metro-Goldwyn-Mayer in 1934, Harman and Ising started the Happy Harmonies series, which led to the creation of the MGM cartoon studio, where Harman and Ising would both work as producer/directors.[1]

Career

[edit]

A native of Pagosa Springs, Colorado, Hugh Harman began his animation career in Kansas City, Missouri in 1922, when he and his older brother Fred Harman began working for Walt Disney on Disney's early Laugh-O-Gram Cartoons.[2][3] When that company went bankrupt, Harman and partner Rudolf Ising tried to start a new series based on the Arabian Nights, but were unable to obtain funding.[4] Disney called them back when he began work for Charles Mintz, producing the Alice Comedies live-action/animation hybrid shorts and the Oswald the Lucky Rabbit cartoons.

After a dispute over money, Mintz forced out Disney in 1928 and lured most of his animators, Harman and Ising included, to join him. After Carl Laemmle replaced Mintz with a young Walter Lantz[5] in early 1929, Harman and Ising, alongside a number of former Oswald animators put together a pilot short, "Bosko, the Talk-Ink Kid", featuring a character Harman created in 1928 as sound films were becoming popular. The short gained them a contract with Warner Bros. Pictures to produce animated cartoons with Leon Schlesinger as manager. Harman and Ising started the Looney Tunes and Merrie Melodies cartoons in 1930 and 1931, respectively (Harman would direct the Looney Tune shorts), and produced them until 1933. Following a number of clashes with Schlesinger over budgets, they decided to leave WB and look for another distributor.[6] Harman and Ising took Bosko with them, having previously copyrighted him to avoid facing the same situation Disney had with Oswald. In the meantime, Harman-Ising Pictures outsourced a number of Cubby Bear cartoons for The Van Beuren Corporation.[7]

MGM Cartoons and later career

[edit]

In early 1934, Harman and Ising were hired by Metro-Goldwyn-Mayer, which launched the "Happy Harmonies" series in color (incidentally replacing fellow 1920s-era Disney veteran Ub Iwerks), in which Harman redeveloped Bosko into a realistic black kid. After yet another money-related quarrel, Harman and Ising were fired by MGM in 1937, being replaced by an in-house cartoon studio headed by Fred Quimby.[8][9][10] That same year, Disney borrowed the Harman-Ising Ink and Paint unit for Snow White and the Seven Dwarfs and the studio also outsourced a number of cartoons for the Silly Symphonies series, although Disney ultimately only accepted Merbabies, the other shorts being released by MGM in early 1938, which after a rocky start with the in-house studio, decided to take Harman and Ising back some time later as production supervisors.[11]

After leaving Metro in 1941, Harman founded a new studio with Disney veteran Mel Shaw.[9][12] In 1943, the duo signed a deal with Orson Welles to adapt The Little Prince, in which Welles would play the role of the aviator while a random child actor would portray the prince. A few months later, Welles fell ill with hepatitis, nearly dying while recovering in Florida. After this, the deal fell through and the film was scrapped.[1][11]

From 1945 to 1947, Harman's production company would produce various cartoons for the army and for educational films.[13][14] After a two year hiatus, Harman returned to the animation industry with The Littlest Angel, a collaboration between his company and Coronet Films.[15] He also wrote the Woody Woodpecker short Convict Concerto.[16] Harman's final film (albeit incomplete and entirely shipped to Coronet, completed by Gordon A. Sheehan) was Tom Thumb in King Arthur's Court. Harman worked on the film extensively with Mel Shaw, but ultimately gave production to Coronet because he couldn't complete it.[17][11] The film had been in production since the 1940s, under the working title "King Arthur's Knights".[18]

Later life

[edit]

After Harman-Ising Studios closed in 1960, Harman fell in a state of abject poverty. He lived in a ramshackle house, no longer being able to afford a car, although he often disguised his precarious state by frequently having breakfast at a Beverly Hills restaurant. He had to constantly borrow money from Ising, as well as colleagues Friz Freleng and Roy O. Disney in the 1970s to keep afloat. He also received a monthly allowance from his brother Fred, until Fred's death in January 1982. After that point, Harman was moved into a house on Chatsworth, the rent being paid by his friends, among them animator Mark Kausler and historian Jim Korkis, who had both met Harman through Bob Clampett in 1973.[19][11]

On November 25, 1982, Harman died after a long illness in his home.[2] He was survived by his son Michael. Harman was married twice, both times ending in divorce. His second wife was a Greek woman named Katia who married him in 1980 but left him soon after gaining her citizenship.[2][19]

See also

[edit]

References

[edit]
  1. ^ a b c Barrier, Michael (January 10, 2006). "Hugh Harman, An Interview". michaelbarrier.com. Archived from the original on February 7, 2016. Retrieved June 13, 2019. Many years ago, I wrote about Hugh Harman and Rudolph Ising for Millimeter magazine: "Harman and Ising did not so much create characters as they created studios. The Warner Bros. and MGM studios owed their existence to Harman and Ising. In both cases, Harman and Ising produced cartoons on their own, for distribution by the parent company, but they set patterns that were perpetuated when the releasing companies established their own cartoon units." Throughout the 1930s, it was the Harman-Ising cartoons—first their Looney Tunes and Merrie Melodies for Warner Bros., then their Happy Harmonies for MGM—that invited the most serious comparisons with Walt Disney's cartoons.
  2. ^ a b c "Hugh Harman, 79, Creator Of 'Looney Tunes' Cartoons". The New York Times. November 30, 1982.
  3. ^ Korkis, Jim (March 22, 2017). "The Laugh -O-gram Story: Part One". MousePlanet. Retrieved April 15, 2022.
  4. ^ Barrier, Michael (1999). Hollywood Cartoons: American Animation in its Golden Age. Oxford, England: Oxford University Press. p. 43. ISBN 978-0195037593.
  5. ^ Korkis, Jim (October 15, 2014). "The History of Oswald the Lucky Rabbit, Part Two". Mouse Planet.
  6. ^ Barrier, Michael (1999). Hollywood cartoons : American animation in its golden age. Oxford University Press. pp. 154–164. ISBN 978-0195037593.
  7. ^ Harman/ Ising’s “Mischivous Mice” (1934)
  8. ^ MGM TITLES
  9. ^ a b Hugh Harman's "The Field Mouse" (1941)
  10. ^ Those MGM Jazz Frog Cartoons
  11. ^ a b c d "Cartoon Logic Episode 10: Mark Kausler Remembers Hugh Harman and Rudy Ising". January 6, 2020. Archived from the original on May 21, 2022. Retrieved June 20, 2022.
  12. ^ Thill, Scott (January 7, 2016). "From 'Bambi' to 'The Lion King,' Disney Legend Mel Shaw Lassos a Retrospective". Cartoon Brew. Retrieved December 16, 2022.
  13. ^ Hugh Harman’s “Easy Does It” (1946)
  14. ^ Hugh Harman’s “Winky the Watchman” – and How to Do a Great Commentary Track
  15. ^ Coronet Films “The Littlest Angel” (1950)
  16. ^ Webb, Graham (2011). The animated film encyclopedia : a complete guide to American shorts, features and sequences, 1900-1999 (2nd ed.). McFarland & Company. p. 79. ISBN 978-0-7864-4985-9.
  17. ^ Hugh Harman and Gordon Sheehan’s “Tom Thumb in King Arthur’s Court” (1963)
  18. ^ "'King Arthur's Knights' in Full Color ls Latest Venture in Movie Cartoons". The South's Standard Newspaper. December 9, 1941.
  19. ^ a b Korkis, Jim. "Animation Anecdotes #292". Retrieved April 15, 2022.
[edit]
Retrieved from "https://en.wikipedia.org/w/index.php?title=Hugh_Harman&oldid=1345180743"