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Origin and history of lofty

lofty(adj.)

"exalted, of high rank," early 15c. (early 14c. as a surname); also "with a high purpose," from loft (n.) + -y (2). Literal sense of "high" is attested from 1580s. Related: Loftily; loftiness.

Entries linking to lofty

"an upper chamber," c. 1300, an extended sense from late Old English loft "the sky; the sphere of the air," from Old Norse lopt (Scandinavian -pt- pronounced like -ft-) "air, sky," originally "upper story, loft, attic," from Proto-Germanic *luftuz "air, sky" (source also of Old English lyft, Dutch lucht, Old High German luft, German Luft, Gothic luftus "air").

If this is correct, the sense development would be from "loft, ceiling" to "sky, air." Buck suggests a further connection with Old High German louft "bark," louba "roof, attic," etc., with development from "bark" to "roof made of bark" to "ceiling," though this did not directly inform the meaning "air, sky" (compare lodge (n.)). But Watkins says this is "probably a separate Germanic root." Meaning "gallery in a church" first attested c. 1500. From 1520s as "apartment over a stable" used for hay storage, etc.

"having a high top," by 1859, from top (n.1) or (adj.) + lofty (adj.); usually figurative, "putting on airs, pompous, bombastic," which sense is suggested is by 1823 in U.S. colloquial toploftical.

very common adjective suffix, "full of, covered with, or characterized by" the thing expressed by the noun, Middle English -i, from Old English -ig, from Proto-Germanic *-iga-, from PIE -(i)ko-, adjectival suffix, cognate with elements in Greek -ikos, Latin -icus (see -ic). Germanic cognates include Dutch, Danish, German -ig, Gothic -egs.

It was used from 13c. with verbs (drowsy, clingy), and by 15c. with other adjectives (crispy). Chiefly with monosyllables; with more than two the effect tends to become comedic.

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Variant forms in -y for short, common adjectives (vasty, hugy) helped poets after the loss of grammatically empty but metrically useful -e in late Middle English. Verse-writers adapted to -y forms, often artfully, as in Sackville's "The wide waste places, and the hugy plain" (and the huge plain would have been a metrical balk).

After Coleridge's criticism of it as archaic artifice, poets gave up stilly (Moore probably was last to make it work, with "Oft in the Stilly Night"), paly (which Keats and Coleridge himself had used) and the rest.

Jespersen ("Modern English Grammar," 1954) also lists bleaky (Dryden), bluey, greeny, and other color words, lanky, plumpy, stouty, and the slang rummy. Vasty survives, he writes, only in imitation of Shakespeare; cooly and moisty (Chaucer, hence Spenser) he regards as fully obsolete. But in a few cases he notes (haughty, dusky) they seem to have supplanted shorter forms.

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