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Questions tagged [chromatic]

Relating to notes not belonging to the diatonic scale of the key in which the passage is written.

7 votes
3 answers
463 views

In bar 8 there is a chromatic chord which is essentially an Eb7 chord but I know from classical music harmony that an augmented german 6th has the same sonority. So How should I write this chord? It ...
armani's user avatar
  • 810
2 votes
2 answers
148 views

Evidently, there is really no need to over-complicate anything. Therefore I definitely don't take it as nonsense, however, it's not evident the sense in it. Can somebody indicate why that is and ...
Anthony's user avatar
  • 49
0 votes
0 answers
94 views

This may not look like a good question, but I've been looking for the answer to this since I started studying music theory and I'm completely stuck because I refuse to continue without understanding ...
Anthony's user avatar
  • 49
4 votes
3 answers
415 views

This image should sum up the question. Obviously I want to write a D# and an E# since they show the neighbor motion to the chromatic notes I am embellishing but that seems silly so I have done it this ...
armani's user avatar
  • 810
6 votes
2 answers
691 views

I’m looking at the Chromatic Voice-Leading Techniques chapter in Aldwell & Schachter, and I came across this example from a Haydn piano sonata (page 563): Beneath the bass staff, there are ...
286642's user avatar
  • 1,508
3 votes
3 answers
421 views

I’m into generative music (and know that classical music specialists are skeptical about it). But it’s a non-profit project, just self-development and research. Also sorry for the inaccuracies in ...
lesobrod's user avatar
  • 127
6 votes
3 answers
842 views

As far as I know, timpani are traditionally tuned only to the tonic, perfect fourth, and perfect fifth of the main scale of the piece. I also know that over time, various devices like pedals and ...
brilliant's user avatar
  • 2,122
0 votes
1 answer
143 views

I am working on a fantasy spoken language for a fantasy world ultimately (long ways away from that!). One thing I'm currently dealing with is the basic letters used to make the sounds/words, and ...
Lance Pollard's user avatar
1 vote
2 answers
148 views

I am composing a marimba solo in A minor (it uses a decent amount of chromatic notes but otherwise stays diatonic) and I wanted to analyse the chords. In this measure, I got stuck on the third chord ...
Dylan Levine's user avatar
1 vote
1 answer
127 views

What is it called when a chord progression in a specific key uses root/tonic notes that are in-key, but other members of the chord are not? For example, say I am in the key of C major and I pay C Maj, ...
the_endian's user avatar
2 votes
3 answers
435 views

I'm talking about the chord progression of The Beach Boys' "Heroes & Villains" outro ("Bridge to Indians"). The progression is the following: I I7 IV bVI7 I bVI7 ii7 V7 I (C# C#...
PepsiChicken's user avatar
2 votes
5 answers
875 views

This exercise says to leave the dominant and subdominant notes unaltered (pick up the sharp or flat from the key signature). However, I have also seen convention that says use sharps for ascending ...
Ryan's user avatar
  • 681
2 votes
3 answers
754 views

It's possible to harmonize a descending chromatic scale with consecutive dominant 7ths(the most common way), but that goes down the circle of fifths and takes the piece to a distant key. Is there any ...
OprenStein's user avatar
  • 1,656
9 votes
3 answers
3k views

When trying to find the function of the B major chord in C major I found that it was listed as a "V/iii" chord in this online calculator. I have never seen this before and don't know what ...
LeaG's user avatar
  • 93
6 votes
4 answers
543 views

Regarding "chromatic," I found on Wiktionary: Latin chrōmaticus, from Ancient Greek χρωματικός (khrōmatikós, “relating to colour; one of the three types of tetrachord in Greek music”) Then ...
Petr's user avatar
  • 161

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