Origin and history of chest

Old English breost "mammary gland of a woman, bosom; the thorax or chest, part of the body between the neck and the belly; mind, thought, disposition," from Proto-Germanic *brust-/*breust- "breast" (source also of Old Saxon briost, Old Frisian briast, Old Norse brjost, Dutch borst, German brust, Gothic brusts), perhaps literally "swelling" and from PIE root *bhreus- "to swell, sprout" (source also of Middle Irish bruasach "having a broad, strong chest," Old Irish bruinne "breast"). The spelling conforms to the Scottish and northern England dialectal pronunciation.

With it was his naked brest & red is blodi side

Bleike were his leres his wondis depe & wyde

Starke weren his armis spred vp on þe rode

On fiue stedes vp on his bodi þe stremis ronnen on blode

[De Passione Christi, 14c. carol]

The figurative sense of "seat of the emotions and affections, repository of designs and secrets" was in Old English. Breast-plate "armor for the front of the body" is from late 14c. Breast-pump is from 1821.

third letter of the Latin alphabet. Alphabetic writing came to Rome via the southern Etruscan "Caeretan" script, in which gamma was written as a crescent. Early Romans made little use of Greek kappa and used gamma for both the "g" and "k" sounds, the latter more frequently, so that the "k" sound came to be seen as the proper one for gamma. Classical Latin -c-, with only the value "k," passed to Celtic and, via missionary Irish monks, to the Anglo-Saxons. Also see cee.

In some Old English words, before some vowels and in certain positions, -c- had a "ts" sound that was respelled ch- in Middle English by French scribes (chest, cheese, church; see ch). In Old English -k- was known but little used.

Meanwhile, in Old French, many "k" sounds drifted to "ts" and by 13c., "s," but still were written -c-. Thus the 1066 invasion brought to the English language a flood of French and Latin words in which -c- represented "s" (as in cease, ceiling, circle) and a more vigorous use of -k- to distinguish that sound. By 15c. even native English words with -s- were being respelled with -c- for "s" (ice, mice, lice).

Before c. 1800, English words now spelled in -c often ended in -ck and this is kept in picnicked, trafficking, panicky, shellacked, etc. to preserve the "k" sound of -c- before a suffix beginning in -i-, -y-, or -e-.

The final k, after c, in words derived from the learned languages, though carefully retained by Johnson and other writers, has been omitted, in conformity to modern custom and the originals. For it seems to me to be rather incongruous to write musick from musica, especially as the k has been exploded by general consent from the derivatives musician and musical. [John Ash, advertisement to "New and Complete Dictionary of the English Language," 1775]

In some English words from Italian, the -c- has a "ch" sound (via a sound evolution somewhat like the Old French one). In German, -c- in loanwords was regularized to -k- or -z- (depending on pronunciation) in the international spelling reform of 1901, which was based on the Duden guide of 1880.

As a symbol in the Roman numeral system, "one hundred;" the symbol originally was a Greek theta, but was later reduced in form and understood to stand for centum. In music, it is the name of the keynote of the natural scale, though the exact pitch varied in time and place 18c. and 19c. from 240 vibrations per second to 275; it wasn't entirely regularized (at 261.63) until the adoption of the A440 standard in the 1930s. C-spring as a type of carriage spring is from 1794, so called for its shape.