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Classical music & opera
Proms 2025
BBCSO/Lintu – there’s a good reason these Boulez and Mahler works aren’t often performed
Despite eye-catching percussion and deluxe orchestral playing, these strange, overlong pieces are for die-hards only
Opera review
Káťa Kabanová – furtive groping and a wing-bloodied angel stalk flawed staging of Janáček’s opera
Proms 2025
Hallé/Wong – new conductor commands an utterly gripping performance
Edinburgh international festival
The Veil of the Temple – powerful expressive talents on display in eight-hour choral epic
Proms 2025
Lim/CBSO/Yamada – wonderful Rachmaninov and a swirling Sinfonia
Proms 2025
BBCPhil/Weilerstein/Fröst; Arvo Pärt at 90 – star clarinettist captivates and delights
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Robert Wilson, theatre director and visual artist, dies aged 83
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Live reviews
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BBCSSO/Wigglesworth/Batsashvili review – detailed and monumental Bruckner
Ensemble Intercontemporain/ Bleuse review – from a clown to a clarinet and Cathy Berberian
Shibe/BBCPhil/Bihlmaier review – vivid, vibrant and exuberant virtuosity
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Recordings
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Chromatic Renaissance album review – Exaudi negotiate these writhing lines with exemplary precision
King of Kings: Orchestral Transcriptions of Bach by Andrew Davis album review – the late conductor’s first love
Ginastera: String Quartets album review – compelling and colourful
Chloe Chua: Mozart Violin Concertos album review – teenage prodigy’s interpretations are balanced and mature
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Roger Norrington: a maverick, an irresistible firebrand and a musical visionary
‘It is impossible to recall him without smiling’: Simon Rattle on Alfred Brendel
Interview
‘I gave Tom Cruise an impromptu organ lesson!’ Anna Lapwood on her classical mashups – and her all-night Prom
David Watkin obituary
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Left turns: How a terrible war injury led to the birth of one-handed piano music
From the sacred to the profane: the Wagners, Bayreuth and Parsifal
‘My players are Olympians’: meet Bradford legends the Black Dyke Brass Band
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